Fascinating courtly intrigue and bloody power games set on a generation ship full of secrets―Medusa Uploaded is an imaginative, intense mystery about family dramas and ancient technologies whose influence reverberates across the stars. Disturbing, exciting, and frankly kind of mind-blowing.” ―Annalee Newitz, author of Autonomous

Showing posts with label Emily Devenport. Show all posts
Showing posts with label Emily Devenport. Show all posts

Monday, September 30, 2024

Road Trip 2024: Settled


We've been doing these road trips with my brother Michael for four years now, long enough to become pros at it. We're comfortable enough with each other to share hotel rooms. We're also cheap, but hey, it lets us spend more time on the road. 


Some routines have been established. For example, I like to turn the TV in the room to what Michael calls "The Murder Channel," looking for shows like Forensic Files or one of the many incarnations of Law and Order. Ernie likes to surf social media on his phone, and Michael prowls news sites on his iPad. Since his iPad is right there under his fingertips, he also does some writing. A few days into our roadtrip, he came up with this:


Settled

Settled, like sand
Fluid, like water
I know my spirit’s yearnings
I cannot account for others

I watch the sunset
I listen to the trees in the wind
They speak a language for which
There are no known words

Let no one tell me
My purpose here on earth
Let them speak for themselves
If it matters so much

I prefer to watch
And absorb
And wonder
So let me be slow with answers

My time here is limited
So let me be blessed 
With the gift of reflection
And throw in some kindness

If I should see good in myself
Spare me the self-righteousness
Give me the simple ability

To see it in others 

Sunday, September 22, 2024

Em, Ernie, and Michael: Road Trip 2024


We're on our yearly road trip again, but I have yet to write about the last one we did. As usual, Michael is way ahead of me on this, so I'm going to let him start off  the vacation chronicles (generous-if-lazy creature that I am). So let's kick off the vacation report from Michael's POV:


Monday a.m.
September 16
Arroyo Grande

We’re at it again. Emily, Ernie and me. It’s day two of the annual trek, a gift trip whose existence must be attributed largely to Covid 19 (albeit the 2020 version) and our late mom, Margaret. Who would have expected them to pair up in such a positive and enduring manner? As she might have quipped, “Who’d a thunk it?”

It’s easy to describe the elderly folk in their final years as “declining” if one adopts a comparative view of life’s continuum. After all, many things simply don’t function as they used to - notably, the mind. Bodies wear down too. Mom was no exception in the fall of that year. I came to view her as a person who was winding down and balancing her biographic accounts in the months leading to her departure. Did she have odd visions of matters not discernibly connected to reality? Of course. Did we any less enjoy talking to or spending time with her? Not at all. Neither in the spirit of pity nor strictly as a matter of compassion. For even in that twilight time of her life she was giving us things no one else had to offer - a deepening view of ourselves from a family perspective - an appreciation.

On the Northwest trip in the fall of that year, during the time of the election I spoke with her quite often - usually in the evening - about our collective journey, hers and mine. I was careful not to offer condescending thanks for all the good things she had done for me. That would have put her off and I knew it. Rather, I mostly asked her to fill in gaps in the family history to which I was not privy, particularly involving her father who had been so important in my life after my own father died when I was quite young. I learned much from our chats. She was capable of remaining mentally crisp for about an hour on those occasions, which fact alone seemed to mean a great deal to her. This I know. They were some of the best moments I ever shared with her.

So here we are in Arroyo Grande. We traveled to Santa Barbara from Arizona yesterday and had lunch with sister Carol, then on to here for the night. We’re headed to the Pinnacles National Park, northeast of Soledad, California. Emily, a serious and trained geology enthusiast, will explain in some detail to me just what I am looking at and I will lose track of this information somewhere along the line. Now if we were talking about wood…………Tonight we’ll stay in Monterey and continue north tomorrow.

So, back to mom and Covid. During the summer of 2020, Em and Ern were preparing to take mom on their annual trip into New Mexico. Art shows, where I exhibit my work, were all closed due to Covid restrictions, and I was known to be available to travel with them. I did. We were sitting in our room at the Thunderbird Motel in Taos one morning when I asked Em and Ern, who had just entered, if they had ever traveled to the Pacific Northwest. Before they could even answer mom blurted out, “When are we going?” None of them had. Off we went in late October and the rest is history. The trips with mom and the presence of Covid had brought us together. The annual trip is now a tradition we cannot miss.

The travel plan is never much more than a sketch, subject to diversions and distractions but always pregnant with experience. We’ll see how this one evolves. We do have a list. We’ll try to do it justice.

Tuesday, July 30, 2019

The Em Report (2019)


Every once in a while, I remember that I have a blog and that I'm supposed to keep people posted about my stories and books that have been published in the past year or so. If I had more marketing savvy (not to mention more success), I would be doing this every month, but at this point I'm lucky if I remember to comb my hair before reporting to my day job. So I'll have to make do with this annual(ish) report.

I've got two new novels to crow about: Medusa Uploaded came out from Tor in 2018; the sequel, Medusa in the Graveyard was published July 2019. Joel Cunningham, at the Barnes & Noble Sci-Fi and Fantasy Blog, says, “Book Two of the Medusa Cycle is just as dark, daring, and propulsive as the first.” That should be all you need to hear! Run right out to your favorite indie book store (or click on one of my links to the Evil Empire) and buy them today . . .

I had to think harder about which of my stories has been published, but I've got a pretty comprehensive list, here: 

"10,432 Serial Killers (in Hell)” appeared in the May/June 2018 edition of Alfred Hitchcock Mystery Magazine, and was nominated for the 2019 Thriller Award. Alfred Hitchcock Mystery Magazine will also be publishing “Not My Circus, but They Are My Monkeys,” on sale August 14.

I managed to make it into two Apocalypse-themed anthologies in 2018/2019: “Cruddy,” a kaiju story, is in Enter the Aftermath, edited by Thomas Gandolfi, and “Appetite,” my riff on zombies/mummies is in Enter the Rebirth, edited by Thomas Gandolfi.

"Wraith” was published in Longshot Island no. 6.  In fact, editor Daniel Scott White did more than his fair share of Em publishing: “Alternate Universe Ernies” is in Unfit Magazine, vol. 1; “Destry” is in Unreal Magazine, vol. 1, and “The Hitter” is in the forthcoming Unfit Magazine vol. 4.

And last but not least, “Jumpers For Jesus” will be published by Mystery Weekly Magazine, (publishing date to be announced, but I've provided a link to the magazine so you can check them out, maybe subscribe). How can you live without weekly mystery? I need mine daily . . .

I hope I have good stuff to report next year, but if not, there's always hiking, geology, ghost stories, music, movies, book reviews, whatever I can come up with. So please watch this space. 



Friday, April 5, 2019

Em & Ernie On the Trail (Again)



Ernie and I hiked the trails at Piestewa Peak today, pushing our luck a little bit with the advent of warmer weather, now that it's April. We lucked out – it was overcast all morning, and there was a cool breeze. I only needed to drink my water because I was huffing and puffing from the climb.


If you don't live in the desert, you may not be able to tell how fat and sassy these plants are from the extra rain we got this year. They're built to take advantage of every drop, and to store that water in their tissues. The saguaros have pleated sides that can expand when they're holding more water and contract when the water level drops again.


This mountain complex is located in Northeastern Phoenix. It's made up of low-grade metamorphic rocks that were eventually pushed up and tilted by molten material that stretched the Basin and Range Province starting about 17 million years ago. The rocks are mostly slate, phyllite, and quartzite, with eroded seams of quartz. This time of year, the trails are full of wildflowers and happy hikers.


Piestewa Peak is one of the places that city folk can get away from the grind and into the wild. It's an ancient place, unintimidated by the city crowding around it. Every time we hike here, it reminds me of what I really want – and what I don't want. 


This place has gnarlitude. The older I get, the more I appreciate that.


Tuesday, July 10, 2018

Oichi's Playlist (With Links!)



If you've read Medusa Uploaded, you've noticed that Oichi is a bit obsessed with music. I created a playlist for the annotated version of the book, but I thought some people might appreciate one with links. I've also included links to sites where good recordings can be purchased. 

The list is probably not comprehensive. It may not even be entirely accurate. For the past several months I've been up to my eyeballs in the sequel, Medusa in the Graveyard, so most of my brain power has been hijacked. But I hope this list will provide a good jumping-off point for curious readers (who are also listeners).

Ralph Vaughan Williams – “Fantasia on a theme of Thomas Tallis,” London Symphony(no.2) (the EMI recording of John Barbirolli conducting the London Symphony Orchestra blows everyone else out of the water), and Pastoral Symphony(no.3) (Sir Adrian Boult's EMI recordings are gorgeous) 



Claude Debussy – Nocturnes, for orchestra (the best recording I've heard is on the Cala label, conducted by Geoffrey Simon with the Philharmonia Orchestra)



Gamelan music (try the album, Music from the Morning of the World)


If you've never heard Japanese Nō music, find some on Youtube. If you've watched Japanese period movies (stories about samurais filmed by Kurosawa, etc.), you've probably heard the instruments used in the film scores.



Pachelbel's “Canon in D” (Lady Sheba's Theme Music)



Beethoven's 7thSymphony2ndmovement (Allegretto – though it has a lot more emotional impact when played slowly, like a dirge)



Gustav Holst – “Saturn, the Bringer of Old Age (my Default Majesty Music),” “Jupiter, bringer of Joviality,” and “Neptune the Mystic”



Alan Hovhannes – “Mysterious Mountain



After you've checked out the Japanese Nō music on Youtube, look for The White-Haired Girl Ballet



You may have heard Leopold Stokowsky's excellent arrangement of The Rite of Spring in the film score of Fantasia (the segment with the dinosaurs), but the original arrangement is pretty mind-blowing. 



Tōru Takemitsu – Kwaidan score



Yasushi Akutagawa – Gate of Hell score



Billy Ray Cyrus – “Achy Breaky Heart



Anatol Liadov – “The Enchanted Lake,” “Baba Yaga,” and Eight Russian Folk Songs for Orchestra (I think of “Sacred Verse” (no.1) as Gennady's Theme Song)



Duke Ellington – “Take the A Train” and “The Mooch”



I think I may have mentioned the main theme from the film score for Around the World in Eighty Dayscomposed by Victor Young. If I didn't mention it in this book, I definitely mentioned it in the sequel.



Irving Berlin – “There's No Business Like Show Business” (another piece that plays a big part in the sequel).



Benjamin Britten's Simple Symphony“Playful Pizzicato”



Sergei Prokofiev – scores from Alexander Nevsky and Ivan the Terrible



Rimsky-Korsakov – “Hindu Song



Franz Waxman – Rear Window(opening credits)



Rogers & Hammerstein – South Pacific (Kitten's favorite musical)



Johann Sebastian Bach – “Jesu, Joy of Man's Desiring”



Cab Calloway – “Mini the Moocher



George Butterworth, “The Banks of Green Willow” (George died in the trenches in WWI, the same war that had such a profound effect on J.R.R. Tolkien)



Antônio Carlos Jobim – “The Girl from Ipanema” (pick your favorite elevator-music version)



I hope this list doesn't seem too long, and that you haven't gone cross-eyed trying to follow it. My ambition is to let people discover some new music or revisit old favorites. Once Medusa in the Graveyard is released (summer 2019), I'll do another one . . .


Sunday, May 20, 2018

That Moment When You Realize Success Just Makes More Work . . .



Writers have a lot of delusions when we start out. Time and experience should clear them up, but some of them persist. For me, the biggest of these is the idea that more success is going to equate to less work.

Stop laughing. I'm not the only fool who has thought more money and exposure would land her on Easy Street (or, if I'm going to be honest, Easier Street, since the more expensive version shall remain forever out of reach). But you would think I would at least remember that any endeavor that involves the creative process is just going to generate more work. For one thing, I should have noticed how long it's been since I posted anything on this blog that wasn't an announcement of Michael Levy's latest creative doings. 

A few years ago, I had nothing but time. I hadn't begun to write stories again, and I had no sci-fi extravaganza in the works. I was studying geology (there's something that'll hijack your brain), snapping photos on hikes, and cheerfully blogging about a variety of topics. In fact, that's pretty much how I picture my retirement (okay, seriously, stop laughing – it could sort of happen that way). Somehow I can't help projecting myself into this life where mornings are spent on a comfy porch, sipping coffee and watching wildlife. That also seems like a good spot for the afternoon and evening. 

So yes, the idea of being a happy, lazy bum REALLY appeals to me. And yet I keep generating more work for myself.

In my defense, back when my earlier books were published, there wasn't a whole lot I could do to help promote them. The internet was in its infancy, blogs were not a thing, podcasts were also not a thing, and Amazon was a brand, new thing. Now that Medusa Uploaded has been released, I'm doing interviews, writing guest posts, even traveling to a few signings and conventions. This, on top of my full-time job and my household upkeep. I'm feeling just a tad incompetent, these days.

I'm really happy about the book, though. I've still got a big stack of writing to do, and probably that will generate more work. Maybe I'll wise up and go back to writing about geology and saguaros.

Happy Trails, my friends. We've still got time to plan that retirement. 


Saturday, December 2, 2017

Watch This Space (but not Too Critically)



If you have read any of my science fiction novels, you may get the impression that I'm on the cutting edge of technology and science. I work very hard to give that impression. But the illusion falls apart in real life. Especially when I try to work on this blog. My most recent challenge is trying to figure out how to update the little bio blurb that runs along the top right portion of this page (just below the photo of me with the Mongolian Death Worm).

I can't do it. I have hurled myself at the problem multiple times, and I am foiled. This should come as no surprise, since every year I have to jump through multiple (technical) hoops just to figure out how to pay for this space.

I hope this is not my fault. I like to imagine that these public sites struggle to be user-friendly by a wide range of yahoos (like myself) who try to do more with the sites than they were designed for (on more platforms and operating systems than most sites have to cope with). Surely an army of programmers and designers toil long hours, every day, trying to keep up with the demand. And eventually they'll fix the glitches that frustrate my attempts to update my own biography.

So anyway – here's my update. I sold two novels to Tor, and the first one, Medusa Uploaded is due out in May 2018. It will be released in quality paperback, ebook, and audio formats. The second novel is still untitled, and in progress, and is a sequel to the first.

I've also got a few short stories due out: “Wraith” will be published by Longshot Island; “Cruddy” will appear in Enter the Aftermath, and “Appetite” will be in Enter the Rebirth. 

UPDATE:  Many thanks to John Cardoso, who read about my plight and figured out how I could fix it.  From John's letter: "1. Go to your Google Profile.  2. Click ABOUT, which is next to the edit profile button in the upper right.  3. Under about Emily there should be an introduction text section; click the pencil icon to edit that.  4. Click OK once changes are complete."

There was a 24-hour delay while the whole shebang updated, and my changes were reflected on the blog.  Yay!  Bazinga!  Success!  John is da bomb.  : )



Sunday, September 17, 2017

We Interrupt this Used Book Store Crawl for an Announcement About EM'S NEW BOOK!




I'd love to tell you my book is coming out next month. But it's coming out May 1.

Still – looka the gorgeous cover! It's mind-blowingly fabulous!

And besides, you can reserve it. Here are some lovely links to help you do that.





And here's a link to the web page of Sam Weber, the wonderful artist who did the cover . . .


Wednesday, April 19, 2017

The Servant (and Co.)



If you've worked in the book biz (or the movie or music biz, for that matter) you feel cautious about announcing deals to the public. Those deals sometimes evaporate like fairy gold in the light of day. But I've signed and returned the contracts, and my editor has made an announcement about the deal to professional trade publications, so I think I can go out on a limb and announce that I've sold two books to Tor, both based on the novelette that was published in Clarkesworld, “The Servant.” The first book (titled Medusa Uploaded) is complete, and is in the editing stage now – the second one is in progress. Tentatively, the first should appear in Spring 2018 (watch this space, because that could change). As soon as I get a file of the cover art, I'll post it here.


I'm very grateful to Neil Clark for publishing that original story. Without, it would have been a lot harder to sell two novels. So it really is worthwhile to write short stories and send them out (try ralan.com for SF/F/Horror market reports).  

Ernest Hogan Illustrated this post.  He drew a picture of a nightmare I had about being chased by a spider monkey.  I'm thinking maybe that spider represents new responsibilities . . .

Saturday, February 18, 2017

Blooey-pocalypse



Considering the current state of affairs in the world (and particularly in the White House), I'm guessing that no one is particularly alarmed that I haven't been posting updates about my stories that are currently accessible online. But, what the hell – sometimes the only things we can fix are the things we're able to do ourselves. I have a strong suspicion that within the next year we're going to see another American president get impeached (unless he resigns first or is taken out by some (semi-)obscure constitutional procedure). Because of the power struggle between the two major parties (and also within those parties), things are probably not going to get better until they get a lot worse. This is one of those times in history when truth is stranger than fiction and fiction is a reflection of that larger reality.

That's the best segue I can wrestle out of this collection of ideas, so I'll cut to the chase. The first story is titled “The Cat at the End ofthe World”, and it was published in Cicada Magazine. It addresses a theme that was popular even before someone started taking the nuclear football along with him to Mar-a-Lago: an apocalypse caused by arrogance and stupidity. But along with the second story I'm going to tell you about, it also explores the idea of rescue. What and who is worth saving?

The second story is “Now is the Hour”, published in Clarkesworld Magazine. It explores a much bigger picture, multiple worlds instead of just Earth, and apocalypses both personal and planetary. I dreamed both a happy and a sad ending for this story, and when I woke I realized with one ending it wouldn't be tolerable and with the other it wouldn't be believable. But what if there was a way for the characters to experience both endings?

People have been fascinated with the idea of apocalypse since we first started imagining cosmology. Many of us experience it on a personal level at least once in our lives (not including the day we die). In my case, I happen to live within 30 miles of Luke Air Force Base – Air Defense North America. Any ICBM from China or Russia would take me out within the first twenty minutes of an exchange. That doesn't scare me. It pisses me off.

But anger is only useful if you can do something constructive with it. So I'm painting my house and getting rid of stuff I don't need. I go to work every day at a job I like. I'm writing new short stories. I just finished writing a novel based on my novella, “The Servant.” Now I'm working on the sequel, Olympians. I'm gardening, and working on my health, and taking care of my family. Those are things I can do.


Washington is going to have to sort out its own mess. The sooner, the better.   



Thursday, October 29, 2015

More Crappy Self-Promotion (and a Change of Font)



Way back in August, when I certainly should have been on top of the situation, my writing again appeared in CLARKESWORLD magazine – and I failed to tell anyone about it. Despite that, my story (technically a novelette) “The Servant” has managed to get some recommendations for the Hugo award. Since “The Servant” started out as an idea for a novel, I've placed it on the front burner and am now ambitiously expanding and developing it into what will eventually be a 125,000-word book. Shazzam. (Shazzam is not the title of the book; it's just a mild, happy expletive with old comic book roots.)

In the same issue of CLARKESWORLD, I also have a nonfiction piece, “Hipsters of Zombieland.” You lovers of all things zombie, please visit and counter the one comment on the page that was penned by a zombie-hater. Unless you hate my article. In which case, never mind . . .

And yes, this is a new font: Chalkboard. Apparently quite a few people hate Comic Sans. (Just about everyone but me, it seems.) Granted, you may have a tough time telling the difference between the old font and the new one, but to me it seems less wiggly. In fact, this is the way I wish I could write with the raw paw (mechanically). Of course, that's how I felt about Comic Sans, too. So my judgement is still questionable.

Fall is coming to Phoenix, which means that the temperature has dropped into the 80s (Fahrenheit) instead of the 100s. Work here at Casa Devenport/Hogan proceeds apace. A lot of failure is mitigated by a few successes, so we are encouraged to continue. I hope you are too.


Tuesday, April 28, 2015

Crappy Self Promotion, Inc.



I must be a crappy self-promoter, because two of my stories have been published online recently, and I have yet to promote them on this blog. The first is “Dr. Polingyouma's Machine” in UNCANNY magazine, and the second is “Postcards From Monster Island” in CLARKESWORLD. Click on the names of these magazines to visit them, and while you're at it, think about subscribing and/or donating. Keep short fiction forums alive and well!

Monday, July 21, 2014

Indian Road 18



Arizona is a big place: 113,998 square miles (295,254 square km), so maybe it's no big surprise that there are many places in AZ I've never visited. The difficulty of the situation is compounded by the fact that this big place is very mountainous, and there's a giant, canyon stretching across the top NW corner of it. The interstate highways transect the top third (I-40) and the bottom half (I-10), and those two highways are connected in the middle by I-17. But that still leaves a big part of the state that must be explored by old highways and unpaved roads. And gas is currently running between $3.50 and $4.10 a gallon, here. Before you wince at how cheap that is compared to what you're currently paying, remember: 113,998 square miles.

This became a particular problem for me when I was trying to set a scene in my new novel in a part of Arizona I'd never visited. I thought I could simply google the place and look up its particulars. I found out that some places are more obscure than others. In this case, the place was the territory through which Indian Road 18 passes, near the southern the edge of the Grand Canyon. I couldn't find photos or maps that gave me enough information to write a convincing scene. So Ernie and I took a 24-hour road trip. We got the information we needed on that trip, but we got more. We found a wonderful spot we never would have visited if it hadn't been for my mission. That place is the Route 66 Roadrunner Cafe, in Seligman.


Seligman is an old Route 66 town, one of the places that almost died when I-40 was built to pass it by. (One of the biggest mistakes America ever made was to deal that fate to our small towns.) Seligman enjoys some attention these days from foreign travelers who are enchanted with the old Route 66 mystique. It's a cute little place, population 456 (give or take), with buildings and signs that were constructed in the mid-20th Century. Route 66 is the main drag, so you see lots of signs inviting you to stop, eat, drink ice cold pop (or beer), and buy lots of souvenirs. Ernie and I arrived there at around 9:00 a.m., so what we had on our minds was coffee. Not just any coffee, either – we wanted the fancy stuff. The Roadrunner was the first place with “coffee drinks” in its signs, so we pulled over and went in to investigate.


We ended up with a couple of “Fast And Furious” iced coffees, which come fully loaded with 3 shots of espresso. We snagged a couple of muffins too, and scarfed those with a speed and enthusiasm that might have horrified any onlookers, had they been too close. The drinks and the muffins get 5 stars from us, so check the place out if you're passing through. They've got a full menu for lunch and breakfast, as well as plenty of Route 66 souvenirs too, including t-shirts and reproductions of vintage signs. They've even got a bar. The owner let us take some photos, and he's the one who snapped the shot of us at the top of this page, in case you've ever wondered what I and my intrepid partner look like when we're happy.


From Seligman, Indian Road 18 is about another half hour's drive on Route 66. The roadcuts on the way reveal some of the most interesting and colorful deposits of volcanic ash and lava I've seen in Arizona. Once you've turned onto 18, which winds through part of the Hualapai Indian Reservation, you climb onto the Coconino Plateau, which is anything but flat on top. It is complicated by its own mountains, hills, arroyos, and valleys. The road is paved, but not fancy or new, and the speed limit varies as you go along. You have to watch for cows, too. It's 60 miles long, and on the map it just seems to end for no particular reason, not far from the south rim of the Grand Canyon. But there's a very good reason for it to end. It's actually right at the edge of the canyon, on a little piece of land that belongs to the Havasupai Indians. They use it to transport supplies in and out of the canyon (via a small helicopter) and also lead horse- and mule-tours into the canyon itself.


A small tributary canyon runs along the west side of the final mile of Indian Road 18. There's a spot at its head where you can tell a waterfall forms when it rains. The part of the Grand Canyon this little tributary leads into isn't the grandest part – the walls aren't as high or the canyon nearly as wide as you'll find it in the national park (the eastern end), but it's beautiful, displaying uniquely eroded areas of the Kaibab limestone, the cross-bedded Toroweap and Coconino sandstones, the Hermit shale, and maybe even a bit of the Supai layer, at the bottom. It was a part of the Grand Canyon I'd never seen, and the journey up that road helped me immensely as I tried to envisage the scene I wanted to write.


That expedition was the sole reason for our trip, so we had to head back to Phoenix once I'd snapped some photos. On the way, however, we had to make one last stop – at the Roadrunner Cafe for two more “Fast and Furious” coffee drinks. The car needed gas, and so did we . . .

HWY 89 took us back through the Bradshaw Mountains (with a quick stop in Prescott for supper), to Route 93, past Wickenburg and back to Phoenix. It was a beautiful trip, and possibly the only one we'll be able to afford this year. But we made it count. If you're passing that way, I hope you do too.



Thursday, October 24, 2013

Em's Smashwords Interview



What inspires you to get out of bed each day?” asked the Smashwords Interview site, to which I replied with my own interpretation of inspiration: "I have to go to the bathroom.  And then the cats pounce on me."

My Smashwords Interview is live now, so you can follow the link and get the unadulterated truth as I answer questions about the Writer's Life, and how I have hopelessly mangled it. Find out what my writing desk looks like, and why it really belongs to a pint-sized thug named Jingle Monster. Thrill to tales of what Phoenix was like in the 1960s, and how cheap comic books used to be. Be astounded as I recount how easy it was to waste more than a year in a self-promotion campaign that pretty much didn't work. Visit my Smashwords Interview and be the first among your friends to say, “Well that's fifteen minutes I'm never getting back.”

Sunday, July 24, 2011

Broken Time


When my novel, Broken Time, was published by NAL/Roc, it was nominated for the Philip K. Dick award. Now I've published it as a Kindle book on Amazon and in several formats on Smashwords (who distributes it to sites like Barnes & Noble, Sony, Kobo, Apple, etc). This time around I don't have to use a pen name, so I've published it under my Emily Devenport moniker. Nice to be finally getting over my Multiple Pen Name disorder . . .

The cover was designed by my husband, Ernest Hogan, using one of my photographs. I like the way it turned out. Hopefully it will help me sell lots of copies of Broken Time.

Thursday, June 9, 2011

Alpha Station


Hawkeye wondered how far they were from Edge. Investigators had flown to each of the Southern cities after the disappearance (obviously, no one could drive), and no one walked that route now except Scavengers and Neighbors. She could recall nothing about Edge itself, but now that she was thinking about it, the accounts she had read from the investigators who searched that empty city all agreed on one odd point. Each of them reported that periodically they felt the urge to look skyward, as if something might fall on them. None of them saw or heard anything to give them this impression, but each of them said they had looked up in alarm, over and over, until they walked outside city limits. When they gathered at the landing site on the other side of the ruined highway, everyone took one last look at Edge, with much the same urgency they had felt when they looked at the sky. But – nothing. So they all climbed in their aircraft and went home.

They might be passing the investigators’ landing site before sundown, possibly within an hour. She doubted she would know it when they did. She glanced skyward herself, but not because she thought something would fall on her. A shadow had touched her, and a breath of cool air, and when she looked up she saw a massive bank of clouds trying to overtake them. These clouds were dark with rain, and she hoped they didn’t contain lightning and fierce winds, too.



But rain would be nice, perhaps they could contrive a way to capture the water. And now that she knew that no Scavengers were following, she didn’t have to worry they would get a drink as well. Now it didn’t matter.

Daisy smelled the approaching storm and twitched his ears with disapproval. Brat’s ears folded back for the same reason, and Wolfy tsk-tsked. Boss frowned, but Mug’s grimace might have indicated his version of good humor. All this led Hawkeye to wonder if the storm might not be trouble after all. Could they shelter near one of the broken highway chunks? Surely, even if they got wet, one good, hot afternoon would dry them out again.



They all watched the storm, but as the afternoon began to age, it never overtook them, but seemed more inclined to hang back, and Hawkeye’s mind began to drift again, matching the lazy pace of the storm.

Maybe it will be trouble, but right now I rather like it. It smells good, it’s cool, and rain is always interesting.



On the right side of the horizon, past the highway, she saw the remotest outlines of buildings, the tops of skyscrapers. Could this possibly be Edge? Surely they weren’t more than twenty miles from Evernight, they couldn’t be nearing it so soon. But if it wasn’t Edge, why did it have skyscrapers? Perhaps she was wrong about the distance.

One object on the horizon dwarfed the buildings, like a tree with grass at its feet, and she marveled to think how big it must be to do that. Perhaps it merely seemed bigger, it might actually be closer. Hawkeye was still too far away from it to tell.

The sun descended to its late afternoon position, but they didn’t stop for supper, and Hawkeye didn’t ask why. She wanted to nibble a food bar, but didn’t want the beasties to see her eating. It would only remind them that they were hungry too. Boss seemed determined to travel a certain distance, so Hawkeye kept quiet, periodically looking up to check the status of the storm, then toward the horizon at the distant buildings.



The storm might be pouring rain behind them, but it didn’t seem inclined to drip any on them yet, so Hawkeye looked again at the edge of Edge. With a start, she recognized the scene. They must actually be walking past the place where the investigators had taken that photo from The Lost Cities. The same chunk of broken highway still sprawled on the left, and the outline of the city was the same.

But not exactly the same. The thing that had always seemed to be missing was there now, right smack in the middle, the object that dwarfed all others. This tube-shaped thing stood straight above the horizon, and it was obviously man-made, rather like a grain silo except that it was far too large and tall. Patches of color crawled up its side, but she couldn’t see if they were stains or something deliberate. The top part of it had broken off, she could just make out ragged bits along the torn part, things that must have actually been thick and sturdy – probably metal, if the way the sun glinted off them meant anything. Yet they looked as if something had twisted and snapped them without the slightest effort. She squinted, focusing exclusively on these torn bits, until she could see individual strands, frayed like fragile threads. She stared at this as she rode Daisy closer to the city, foot-by-foot, yard-by-yard.

Tornado? she wondered. What else could twist a building like that, yet leave the bottom intact? Her eyes wandered back down the structure, to the smudge of color that crawled up the side, but now she was close enough to see that these were letters, and they said, ALPHA.

The word rattled around inside her head with uncommon familiarity, as if it were something she saw every day, perhaps lettered on the side of a truck, or on an advertising billboard, or in a commercial on the entertainment net, or even stamped on envelopes she received in the mail – yet none of these familiar things seemed to be the right thing, the obvious thing that stood right there in front of her. She rode closer, and realized the thing was even bigger than she had thought, even farther away, so it took a long time for the letters to become clear. Finally she could make out a mass on the ground next to the towering tube, which had at first looked like rocky hills, but was obviously the part that had fallen off the top. She could just see two letters on this fallen part, S and T.

ALPHA ST –

Alpha Station!” she said aloud, as if she had just solved a crossword puzzle. Then the words and the image came together in her head, and she caught her breath. “Boss.”

He turned from his position at the head of the wedge and stared at her. Everyone else followed suit, like dominoes falling.



She motioned to the towering tube with a trembling hand. “Alpha Station. That’s the space station. The one that’s supposed to be in orbit around Jigsaw.”

from Spirits Of Glory, by Emily Devenport