Monday, February 25, 2013
Sedona Through Time
Sedona
Through Time (3rd edition),
by Wayne Ranney, is the third book in what I like to call Ranney's
Rock Trilogy. Book One, Ancient Landscapes Of The Colorado Plateau (co-written with Ron Blakey), takes us step-by-step through the landscape changes in the
Four Corners area, beautifully illustrating each geologic occurrence
with Paleogeographic maps. Book Two, Carving Grand Canyon,
zooms in on the most breathtaking landform in North America, delving
into a lesser-known feature called the Mogollon Highlands, which
turns out to be one of the major forces in the formation of the Grand Canyon and of Sedona, the focus of Book Three.
By
the time you read Sedona Through Time,
you've got a much better idea of how the layers in Sedona formed,
because they are many of the same layers present in the Grand Canyon.
But once you go Southeast to Sedona, those layers have changed a bit
in character, and some unique features appear, like the Schnebly Hill
Formation. The helpful diagrams, maps, and photographs that are
present in Books One & Two of Ranney's Rock Trilogy are also
present in Book Three, and they are very effective in illustrating
the geologic events that created Sedona.
Anyone
who visits Sedona and nearby Oak Creek Canyon is struck by their
beauty and serenity. They possess a profound spirit that is as
beautiful as what you can experience in the Grand Canyon, but is much
more up-close and personal. Having some knowledge of what the rocks
are and how they got there enhances that experience. For visitors
whose curiosity is piqued, the book also includes a point-by-point
road and trail guide. So take it with you when you visit – you'll
see Sedona and Oak Creek Canyon as you've never seen them before.
Sunday, February 24, 2013
Jango Radio Airplay
As
Kickstarter is for writers and other creative folks, so Jango Radio
is for unsigned artists trying to get wider exposure for their music.
Michael Levy has a campaign going with links below, so check them
out!
Classical
music is my favorite genre, and I'll do anything I can to help
musicians and composers make the music they love. I'm thrilled that
the internet gives we creative folk broader opportunities to gain an
audience. Please spread the word . . .
Yet MORE juicy gems of news...I am currently running a Jango Radio Airplay Campaign, in my efforts to gain a more global audience & at last, I am beginning to see the fruits of my labours blossoming - in the last few days, I have had new fans of my music, from as far afield as Venezuela, Dubai, Israel & the Netherlands:
http://www.jango.com/music/
Jango Radio offers the unsigned artist like myself, the unique opportunity for exposure to a global audience, with controllable levels of global airplay, specifically tailored suit the tastes of a audiences who already like a variety of similar-sounding artists to myself, from the World/NewAge/Classical /Early Music genres...
Tracks from my albums are featured in paid airplay, in Jango Stations from similar-sounding, already established signed artists & composers from the World/New Age/Classical genres - these include Ofra Haza, Jean Michel Jarre, Hayley Westenra, Claude Debussy, Enigma, Yanni, Zefir Records Early Music Channel, Yasmin Levy, Dominik Johnson, Enya, Amethystium, Kitaro,Ray Lynch, Loreena McKennitt, Andreas Vollenweider Vangelis & Ravi Shankar.
It was quite a challenge trying to think of artists who sound similar to my lyre compositions & arrangements, but in coming up with the list, what I considered most was not so much the actual sound of my lyre, but the general serene, meditative, contemplative mood/feel I attempt to convey in
most of my compositions & arrangements - all these established artists & composers all seem to tick most of these boxes.
Here is my blog about my discovery of the potential of Jango Radio has for the unsigned artist, in offering the opportunity of global audience:
http://www.ancientlyre.com/
Thanks once more, for helping me in my relentless mission, to rescue of the forgotten refrains of the lyre of antiquity & strive to see it rise like a Phoenix from the ashes of its dusty, ancient slumbers, to become once more, the vehicle of the sweetest means of musical expression that was once known to Mankind!
Bandcamp Goodies And Children's Stories
Here
are more freebees and fabulosities from the lyre of Michael Levy.
See the links below . . .
Free Bonus Features Now Available For All Downloads of My Lyre Albums on Bandcamp!
I am pleased to announce that there are now unique free bonus features available for downloads of all my lyre album releases, only available on Bancamp!
Bandcamp is a little known but incredibly versatile digital music download store, specifically designed for the unsigned artist. Bandcamp not only offers downloads cheaper than both iTunes & Amazon (just $7 for an LP album, compared with $9.99 for a standard iTunes LP, or $8.99 for Amazon), but also offers the best audio quality - either amazing lossless audio files,identical to the original quality studio recording mix (e.g. 24-bit WAV of FLAC audio files) or broadcast quality 320kbps quality MP3s.
Not only this - for all my albums on Bandcamp, there are now 2 totally free bonus features included for each & every album download! These free bonus features are:
1. The detailed, fully illustrated PDF booklet of album notes of all the essential historical background & research behind each of my albums.
2. A free download of the HD video of my lyre playing as filmed by the BBC - the sadly missing outtake from episode 2 of the BBC4 series, "The Dark Ages An Age of Light" - which after an entire day of filming, for the final cut of the episode, they only used a meagre 40 second clip of "audio only" of my lyre playing, recorded during the film shoot!
Here is the all important link to my albums on Bandcamp:
For anyone who really want to show their appreciation of the daily struggle of us unsigned artists, there is also an option to pay a tip! Only on Bandcamp, there is an option to chose to pay more than the standard $7 download price offered - the more appreciative purchaser of my albums on Bandcamp can chose to pay whatever they think the album is actually worth!
If you are all able to share this link with the rest of the known Universe, this would be greatly appreciated - thank you all, for your support in my relentless efforts to "get my music out there"!
New CD of Educational Children's Stories - Featuring Tracks From "The Ancient Egyptian Harp"!
I was very pleased to recently hear from Robina Wilson, an author of children's stories, right here in the rainy UK! She wanted to use tracks from my experimental EP "The Ancient Egyptian Harp", for the publication of her unique CD, "Music in Stories".
This educational CD features stories and instruments from Iraq (oud), Persia (daff), Turkey (kaval), Palestine (rebaba) and Egypt (story 5 - featuring my archaic arched harp - almost identical to the ancient Egyptian Shoulder Harp of the New Kingdom, some 3500 years ago!).
I would be really grateful if you could please kindly show your support to this author & "spread the word" about her CD to any parents, schools or book stores out there, who may be interested in this fascinating collection of stories & world music - here is the link to all the details about Robina's CD:
Wednesday, February 20, 2013
Ancient Ring Tones
What
kind of ring tone would Plato have? Follow Michael's links below and
get one for yourself!
Seriously Serene Lyre Music - For Your Cell Phone!
One of the precious few advantages I have of living in the 21st century CE (instead of BCE...where I more truly belong!), is the ever increasing, new fangled & wonderful ways there seem to be, of "getting my lyre music out there" - it is now even possible to download hundreds of tracks from my albums, directly to your mobile phone!
If you too wish to have a seriously serene, utterly unique ancient lyre music RINGTONE for your mobile phone, it is possible to download one from both Nokia Music & my Reverbnation Store - below are the download links:
Who knows, some day, somehow, I will get every once annoying mobile phone in the world, ringing to the glorious lyre music of the ancient world...please keep "spreading the word"!!!
also in my latest new bulletin:
http://www.ancientyre.com/ news.html
Other bits of news - for every new individual out there, who decides to subscribe to the ancientlyre.com mailing list, they now recieve an automatic email of thanks, which includes free download links, to the HD video the outtake of my BBC4 film shoot (which I mercifully managed to wrangle from the BBC!), a free MP3 of a bonus track, "Ancient Lyre Strings" (not featured on any of my album releases) & free download links
to the detailed PDF booklets of my detailed album notes for all of my releases...in the hope that in return, new listeners might hopefully feel like sparing a few moments to rate & review my releases on major digital stores such as iTunes & Amazon - so far, my album reviews are the best means i have of gaining attention, from the rest of the unuspecting world!
http://www.ancientyre.com/
Other bits of news - for every new individual out there, who decides to subscribe to the ancientlyre.com mailing list, they now recieve an automatic email of thanks, which includes free download links, to the HD video the outtake of my BBC4 film shoot (which I mercifully managed to wrangle from the BBC!), a free MP3 of a bonus track, "Ancient Lyre Strings" (not featured on any of my album releases) & free download links
to the detailed PDF booklets of my detailed album notes for all of my releases...in the hope that in return, new listeners might hopefully feel like sparing a few moments to rate & review my releases on major digital stores such as iTunes & Amazon - so far, my album reviews are the best means i have of gaining attention, from the rest of the unuspecting world!
Sunday, February 17, 2013
Musical Adventures In Time Travel
I'm
delighted to announce that Michael Levy has a new album available,
with multiple links for downloading listed below. You fans of the
harp, of ancient music, and/or of history – unite and buy this
album!
Release of my Second Compilation Album Today!
Five years in the making, I am pleased to announce the release today, of my second compilation album of solo lyre music, "Musical Adventures in Time Travel"! In conjunction with my first compilation album, "Ancient Landscapes", this new compilation was created to provide a broad cross-section of some of my own personal favourite compositions for solo lyre, as originally featured in my many other releases since 2008.
In addition, "Musical Adventures in Time Travel" also features a brand new composition for solo lyre, in the war-like ancient Greek Dorian Mode: "The Battle of Thermopylae" . Here is a link to view a video featuring this track on my Youtube Channel:
This epic 22 track compilaton also includes my brand new arrangement of Dr Richard Dumbrill's magnificant interpretation of the 3400 year old Hurrian Hymn Text H6 - this time, performed on my new hand-made lyre, with natural fibre silk strings, tuned in the wonderfully pure just intonation of antiquity.
The fully illustrated PDF booklet of the detailed album notes can be freely download here.
Below are the major download links for the album:
The physical CD of the album can also be ordered now, anywhere in the world, from Reverbnation:
(Due to the epic proportions of this compilation for the physical CD, I had to remove 2 of the tracks, simply in order to fit them onto a single CD!)
Please "Spread the Word" - many thanks!!
Wednesday, February 13, 2013
The Tyranny Of The Starred Review
Some
day people will look back on this transitional period in the
writing/publishing industry and they'll be able to map out the trends
pretty clearly. But right now, in the middle of this mess, it's hard
to figure out what works and what doesn't, especially for authors who
are self-publishing. An excellent example of this is the reputed
power of the starred review. I read an account from a successful
self-published author in a Kindle newsletter explaining how she
managed to build an audience by petitioning book review bloggers to
review her book and then asking them to also post their reviews on
Amazon, Barnes & Noble, Goodreads, etc. This sounded like a
great idea.
For
a year I attempted to do the same thing she had done. I had a magic
number in my head – 50 reviews might vault me into the spotlight
and get my book under the eyes of readers. So I queried bloggers.
In fact, I think I must have queried close to 1500 bloggers. After a
year of hard work, I managed to get 6 reviews for one title and 9 for
the other. The whole sloggy process forced me to recognize a few
things.
1.
Every damned writer out there is petitioning bloggers for reviews, 2.
It takes way more than 50 reviews to get people to notice your book,
3. Some writers have compensated for that unhappy fact by paying for
fake, glowing reviews or even by writing (sometimes hundreds of) fake
reviews themselves, and 4. When you manage to get legitimate reviews,
sites like Goodreads tend to drag down the average rating of even the
best books.
When
I made my original pitch to bloggers, I briefly listed my
professional publishing credits and mentioned the fact that one of my
books was nominated for the Philip K. Dick award. I hoped this would
assure bloggers that I'm not an amateur – that I do, indeed, know
how to write. I was a bit discouraged when so many of them ignored
my query (though not hurt, because this is just the sort of
experience professional writers have with publishers – you develop
a thick skin). But as I read the review policies on these sites, it
quickly became apparent just how hard bloggers were getting
slammed.
I
had become part of a massive wave, made up of professional writers and amateur writers alike. Or as an old writer friend put it, I found myself
“down among the lepers.” So many scabby palms are extended
toward these bloggers, many of them have flat-out refused to review
any book that wasn't published by big publishing houses. And who can
blame them? Even I'm getting
requests for reviews from writers, and I don't have a review blog.
I
invested so many hours in my quest for reviews, my writing came to a
complete halt. One of my books did manage to get 33 reviews (as of
this writing), but this was not even one of the titles for which I
was requesting reviews. And sadly, 33 reviews haven't helped much to
boost the sales of this book, even though all of them are real,
genuine, un-paid-for reviews.
So
I have to wonder: How much do readers rely on reviews to make their
purchasing decisions? And now that reviews have come to seem like
pure gold to writers and publishers, how much can readers trust those
reviews?
Maybe
not so much. One cardinal rule of entrepreneurship is that providing
a service to someone who is trying to make money doing something is
often more profitable than doing that thing yourself. Reviewers have
realized this. So not surprisingly, some fake review services have
sprung up. And – also not surprisingly – some writers are too
cheap to pay for all of those fake reviews, so they just write their
own. Most of these folks aren't even that clever about how they
construct those reviews. You can spot the fakes pretty quickly by
looking for one thing right off the bat: they have dozens, sometimes
hundreds of reviews and their average rating is 5 stars.
Do
a quick check on Goodreads and you'll notice that even the classics,
the very best books ever written, books that have inspired people and
changed their lives, usually have an average rating between 3.5 and
4.5 stars. Then take another look at a book that claims an average
rating of 5 stars. If you notice that they all seem to be written in
the same voice and use all the same key words, there's a good chance
they're phony.
Conversely,
if you notice a book tends to get good reviews, and someone posts a
scathing review, there's a possibility this negative review was
written by a writer trying to sabotage the competition. This has
been going on for years – in fact, it's a major plot point in Dean
Koontz's thriller, False Memory.
Fake bad reviews may be as common as fake good ones.
So
what's the verdict on starred reviews? Should I stop trying so hard
to get them? Pretty much – yeah. All of that time I spent trying
to drum up a handful of reviews could have been spent writing.
Writing is what I would rather do. Remember that choice – whether
you're a writer or a reader.
The
wonderful and wacky illustrations for this post were stolen from my
husband, author/artist Ernest Hogan, and he can do nothing about it.
Sunday, February 10, 2013
The Well-Tuned Noodle
Just
when you thought the noble noodle couldn't get any classier, Michael
Levy scores a spot in a commercial! Here are the links . . .
My Lyre Music is Being Used To Advertise Noodles in America!!
As an unsigned artist, there is "getting my music out there"...& really "getting my music out there" - my lyre music is now being used to sell Noodles throughout the USA!!!
I was very pleased to receive an email from an advertising firm, on behalf of the USA based Noodles Company who wanted to use a short clip of my track "Music of the Celestial Spheres" from my recent album "A Well Tuned Lyre - The Just Intonation of Antiqutity" to aid a radio advertising campaign throughout most major grocery stores throughout the USA!
A sneak preview of an MP3 of the forthcoming "serenely surreal" radio advert can be freely downloaded here
Who knows, maybe this time next year, I might be moving on to even greater things, & license my lyre music to sell Roman toilet cleaning products?? BRING IT ON!!
Tuesday, February 5, 2013
Why Do People Love Music?
Michael Levy's music has been featured on a very interesting BBC program examining why people love music, dance to music, and have emotional reactions to music. It's an interesting question, and one I have often asked myself. Check out the link below . . .
MY LYRE MUSIC WAS FEATURED ON BBC RADIO 3!
I was delighted to hear a clip of my new arrangement of the 1st Delphic Hymn To Apollo (from my album, "A Well Tuned Lyre - The Just Intonation of Antiquity") on BBC Radio 3!
The show was episode 1 of a broadcast called "The Story of Music Question Time", (this broadcast is part of the BBC's "Story of Music" season - every Monday evening in the interval of "Radio 3 Live In Concert"), presented by Sue Perkins & Tom Service.
Over five episodes, Sue and Tom will be looking at questions like why music makes us dance, why we divide it into 'major' and 'minor', and why there are eight (or should that be twelve?) notes in a scale...They'll be covering everything from from music history (why do people revere JS Bach so much?) to psychology (how can a simple sequence of notes stimulate our brains to feel emotion?) to music's global reach (does every culture use the same notes and rhythms?).
The clip from my new arranagement of the Delphic Hymn to Apollo in the just intonation of antiquity can be heard 8 minutes into this fascinating show - simply click on the link here to hear the show on BBC iPlayer!
Saturday, January 26, 2013
The Battle of the Battle of Thermopylae
Here's
another free download from Michael Levy:
Another FREE 320kbps Quality MP3 Download: "The Battle of Thermopylae"...
Hi Everyone!
Here is yet another new FREE 320kbps quality MP3 download of a brand new composition for solo lyre, "The Battle of The Battle of Thermopylae":
http://www.mediafire.com/? gksd96emyep1qql
http://www.mediafire.com/?
This spontaneous improvisation in the war-like ancient Greek Dorian mode, is the first ever time I attempted to imitate an electric guitar WHAMMY BAR on the lyre...enjoy!! ;o)
Thanks everyone, for all your support in "spreading the word" about my music on ancientlyre.com...& this new series of 100% free promotional MP3 downloads!!
Thursday, January 24, 2013
Exploring A Grand Mystery
Carving Grand Canyon: Evidence, Theory, and Mystery,
by Wayne Ranney, is the next logical book to read after the one he
co-wrote with Ron Blakey, Ancient Landscapes of the Colorado Plateau. In Ancient
Landscapes, the authors describe
the environments in which the layers of the Colorado Plateau formed
and illustrate those concepts with paleogeographic maps. As you
study those maps, you can't help but try to impose the Grand Canyon
on them, since it's the feature that best exposes the layers. At
what point, you may wonder, does
the canyon begin to be carved?
Carving
Grand Canyon is the best answer
to that question. It narrates the attempt by geologists to
formulate a unified theory of how the Grand Canyon formed and how
long it took to do so. Once you've started reading it you'll realize
that theory is – complicated.
Fortunately,
it's also fascinating – a story of rivers and basins, faults and
frost wedging, lava flows and karst collapse, personalities and plate
tectonics. If you look at a map of the Canyon, from Lee's Ferry to
Grand Wash Cliffs, you may suspect that it's not simply a question of
how old the Colorado River is (though that's the most pertinent
question). It's a question of what else can happen in a region that
large, over millions of years during which several unique conditions
persist.
One
of the most interesting controversies is whether a paleocanyon may
have existed, one that continued to be cut down to current levels in
parts of the Grand Canyon. The graphic on page 124 beautifully
illustrates the argument that a paleocanyon existed in Mesozoic
layers above Eastern Grand Canyon that have since eroded away. The
relatively new study of karst collapse near the Kaibab Upwarp also
sheds some light on the mystery of how the river cut through the
southern tip of the upwarp.
This
book is for people whose curiosity burns when they look at the Grand
Canyon, trained geologists and armchair geologists alike. It is
lavishly illustrated with photographs, cross-sections, maps (some of
which are paleogeographic), and diagrams that make the text clear and
easy to understand. It offers a coherent answer to a question that
is far more complicated than it seems. And best of all, it sparks as
much curiosity as it satisfies. Buy two copies – one for your
reference library, and one to take with you as you explore Grand
Canyon, a place with enough wonder to fill a lifetime.
Tuesday, January 22, 2013
Is Self-Promotion Always Spam?
Michael
Levy is offering some more fabulous freebees of his music this week
(please see the links below), and also posing a question. Is there a
better way to self-promote than to keep sending out links through
social media and asking your friends to share them? My own take on
this is pretty straight-forward. I think if you're continually
sending links that say BUY [SUCH & SUCH] FOR JUST $XX.99!,
that's spam. If you're sharing
links for free downloads, that's self-promotion. And if your music
is really high quality, like Michael's is, that's an extra bonus. So
please, friends – share these links and listen to the music.
Spread the word!
Free Download of My New Composition For Solo Lyre!
Hi Everyone,
For being so amazingly supportive & subscibing to my mailing list, I have decided to now regularly offer free downloads of my future compositions - please feel free to share these free MP3 download links with the rest of the known world...this is certainly a new way I am experimenting with, to "get my music out there"! So, here is your first, 100% free download link, to my sparkly, brand new composition, "Ancient Lyre Strings":
For a more authentic ancient tone, as well as being tuned in the wonderfully pure-sounding just intonation of antiquity, the bass strings of the lyre being played here (my wonderful hand-made"Davidic Harp" by Marini Made Harps), are made of beautifully rich-sounding natural fibres of pure wound silk - special thanks to Peter Pringle for making these strings for me to experiment with!
I have also just uploaded a new promotional video on Youtube featuring this new composition, which I would be most grateful if you could also please share:
Recently, I have been impaled on the horns of a dilema facing every relatively unknown unsigned artist - if I don't do everything I can to "get my music out there" on both my website, Youtube & my recent abundance of posts on Facebook & social media to draw attention to these efforts, then absolutely nobody else is going to do it for me (there is no point in having my 18 albums on iTunes if nobody actually knows they are there!)...but how do I best go about this, without verging on spouting forth spam?
Yet, to avoid this "sickening spammy spoiler scenario", if I only "blow my virtual horn" every month or so on social media instead of every few days, then for months at a time, anyone who hasn't yet had the chance of hearing my music for the 1st time is not going to get to hear my music for the 1st time - for months at a time...ARGH! The sweet pain!!
If anyone has any useful advice on how to best resolve this dilemma, this would be incredibly appreciated - thanks!
Kind Regards,
Michael
Sunday, January 13, 2013
Say "Ah!"
Mike
Mackey posted some new articles over at Sonic Enquirer, this time
about Neil Young's Quest For Quality, Neil Young on the Muse, and a
simple exercise for tonal healing. Say “Ah . . . “ and check it
out!
Tuesday, January 8, 2013
Musical Adventures In Time Travel
Michael
Levy's music has been featured in The Sonic Enquirer.
Read on!
Lyre,
Lyre! The Sonic Inquirer
Hi
Everyone!
I
was pleased to stumble across a brand new article about my "Musical
Adventures in Time Travel" in "The Sonic Inquirer"
posted by Mike Mackey - here is the link to the article:
It
is a great feeling to see that my relentless efforts simply to get my
virtually unknown music "out there" are, at last, bearing
fruit!
Wishing
everyone a healthy & happy 2013...
All
the best!
Monday, January 7, 2013
Berries For Birdies
If
you live in the Southwest, and you want to provide a habitat for
songbirds, two plants to consider are the skunkbush sumac and the
torrey wolfberry.
The
skunkbush has unimpressive flowers that bloom in the spring, but
afterward, hairy red berries that are high in vitamin C form on the
bush – and birds love them. It's big, about 8 ½ feet, so keep
that in mind if you have a small garden (unless you want to get all
prune-y and shape-y with it).
The
torrey wolfberry is also a bit sprawling, but one source I found said
that you can “prune the lower branches to show off the attractive
pale trunk.” It's berries are red, and the birdies love it. I
haven't tried these in my garden yet, but when I do I think I'll
prune them so the berries are up high enough to make the birds less
of a target for the local cats.
My
yard is still a work in progress. Think I'll try the wolfberry first
. . .
Monday, December 24, 2012
The Hidden Fortress
Recently
my husband and I were able to watch Akira
Kurosawa's The Hidden Fortress during one of Hulu's “free” nights, and I found myself once again
entranced by this delightful tale.
I've
seen it perhaps 5 times in my life. The first time was in a revival
theater, the Valley Art. I was around 19 years old, and the other
people in the audience were mostly college students. As much as I
liked seeing it on my 28-inch screen at home, it's a powerful
experience on the big screen – so much so that, although the movie
was filmed in black & white, I remember parts of it in color.
Most of it was filmed at real, outdoor locations, but I suspect parts
were filmed in a studio, on lovingly detailed sets. Cecil B.
DeMille's got nothing on Kurosawa when it comes to gorgeous
spectacle. Another thing that impresses me is the number of extras
in the movie. It doesn't boast “a cast of thousands," but there are
sometimes a few hundred people on the screen, yet the main characters
never get lost in all that action.
The
big star in the film is Toshiro Mifune, who plays the stoic samurai
character, General Rokurota Makabe, with aplomb. When he wears a
mustache and beard, he looks just like the paintings of samurai on
silk screens, or like the masks in Japanese theater. He's wonderful,
but he's made more so by the character who steals the movie: Princess
Yuki. She is the reason I keep wanting to see this movie. She is
extraordinarily beautiful, as you pretty much expect a princess to
be, but it's actually her imperious-yet-socially-awkward personality
that steals my heart. She is the only child of Lord Akizuki, and the
sole survivor from an old and noble family. Because she had no
brother, her father raised her to lead the clan. She is fearless and
utterly imperial, well-trained in the art of giving orders that must
be obeyed. These are traits that inspire devotion and unquestioning
loyalty in the handful of servants that survived the massacre of her kin. She accepts this loyalty. But she is compassionate too – a
trait she must wrestle with if she wants to re-establish her clan.
You
might think Yuki and Rokurota are the glue that hold this movie
together, but that distinction goes to a couple of viewpoint
characters, the comical (but not always likeable) Tahei and
Matashichi, a couple of peasants who went to war in order to get
rich. This is not a scheme that works out for them, and things go
from bad to worse in the first five minutes of the film. From that
point forward, these two knuckleheads fall into one disaster after
another. Their own greed and moral ambiguities drive them to keep
making mistakes, but those are the traits Rokurota finds the most
useful as he tricks them into helping him and Yuki move the gold that
belongs to the shattered Clan Akizuki to safety.
Along
the way, Yuki insists on rescuing a slave girl, an act of compassion
that seems too soft-hearted at first, until this same girl manages to
save the day several times. Can this band of misfits get the gold
to safety so Yuki can rebuild her clan? The odds are stacked against
them, but they still have some tricks up their sleeves.
Each
time I watch this movie, I notice something different. This time it
was the fact that the hidden fortress sits in the middle of an odd
and other-worldly deposit of what appears to be volcanic tuff. I
can't help wondering if this site survives intact in modern Japan. I
hope it does. It was part of the magic of this movie, one detail in
a long list of wondrous sights and sounds.
I
love The Hidden Fortress.
Princess Yuki has won my devotion, too.
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