Thursday, March 20, 2014
Hello, I'm Dr. Flora Strangelove . . .
Recently
I had one of those dreams where I couldn't remember who I was, where
I was, or how I had gotten there. To compound my confusion, I
dreamed that I woke up in that state. I believe the term for that
kind of experience is false awakening (but
I may just be making that up from my own fevered imagination). It
also didn't help that people sometimes actually do wake
up without any idea where they are or how they got there – the
experience is common enough to lend the dream that extra element of
realism (and therefore that edge of panic).
In
this dream, I woke up of the hood of a car. I had no memory of going
to sleep there. But oddly, I did know something: it had happened
before. So instead of flipping out, I tried to take stock of the
situation.
This
attempt to make sense of the unknown is what lies at the heart of
many dreams. The circumstances usually don't make the slightest
sense, so the explanations we come up with can be quite creative. In
this case, I noticed that I was in a parking lot, possibly next to an
Interstate, and there was a building nearby that could have been
bathrooms. A few other cars were in the lot, and some of them also
had people sleeping on the hoods. Those people had blankets and
pillows; once I saw that, I realized that I did too. So probably I
was sleeping on my hood on purpose, rather than ending up there as
the result of an accident (or a drunken misadventure).
Once
I reached this conclusion, I noticed there was another critical piece
of information that I had forgotten: my name. It should have been
the first thing that came to mind, but it absolutely did not. When I
wracked my brains for it, the name Flora
bounced around like a withered peanut in its shell. So I thought
maybe my name was Flora.
But the name Dr. Strangelove
was also knocking around in there, so by that reasoning my name must
be Dr. Flora Strangelove.
And
why are we all sleeping on our hoods instead of in our cars, where
it's safer? I wondered. The
temperature was comfortable outside, maybe that was it. But wait –
if we were near an interstate, we might be far enough away from town
to see the stars. So I rolled onto my back to look up and, sure
enough, the Milky Way stretched across the sky in full, fabulous
display. I figured this must be why I had decided to sleep on the
hood: so I could enjoy this view.
As
I gazed in wonder, I heard a sound that knocked my panic level up a
notch: someone stirred beside me. I had company on that hood.
Slowly
I turned my head to gaze at this menace. But he was asleep too, and
he was in a sleeping bag. That suggested that he hadn't just snuck
up on me, he belonged there. I studied his face, but didn't
recognize it. Maybe if I had been looking in a mirror I wouldn't
have known myself, either. As I stared at him, he pried an eye open
and focused on me.
“Hello,”
I said. “I'm Doctor Flora Strangelove.”
He
managed to look baffled, even though he was only half awake. “Huh?'
he said. “Wha – ?”
And
then I woke up for real.
These
half-baked little scenarios are exactly the sort of thing that get
writers thinking. The human brain can't help trying to find
patterns, even if no real pattern exists. The philosophy of a writer
is that it doesn't matter what's real – you can make it seem
real. You just have to find an interesting way to fill in the
blanks. And that's why dreams like the one in which I played Dr.
Flora Strangelove are more interesting than frustrating. Even if I
never do much with it, I'll wonder why those two people were sleeping
on the hood of that car together. Were they married? Were they
private investigators (with a really small budget)?
Who
else was in that parking lot . . . ?
The
illustrations for these posts are from the files of Ernest Hogan.
The one of the long-fingered lady at the top is the cover for my
ebook, Pale Lady. Download it for free on Smashwords!
Thursday, March 6, 2014
Every Roman Bath Should Have At Least One Lyre Guy
Time
once again to head on down to the Roman Baths and get your fix of
lyre music from Michael Levy! And if you don't live in the U.K.,
remember you can download or order his albums. Follow the links and
fix the date in your head . . .
Live Lyre Concert at the Roman Baths!
Sit laus Deo Apollini! For the third year in succession, I will be having the pleasure of playing my lyre, live at the world famous Roman Baths at Bath Spa! This concert and talk, held between 8pm - 10pm on Friday 16th May 2014, will form part of the annual "Museums at Night" festival.
I will be performing at the amphitheatre below the incredibly evocative Gorgon's Head at the Temple Pediment of Sulis Minerva - from my experience of playing here for the previous two years, I have discovered that this particular position in this amazingly preserved building provides the most incredible natural reverb, with the sound of my lyre literally bouncing off all the walls & floors of authentic 1st century Roman stone! This has just got to be the most incredible venue to attempt to bring back to life the lost music of ancient Rome...
I will be performing at the amphitheatre below the incredibly evocative Gorgon's Head at the Temple Pediment of Sulis Minerva - from my experience of playing here for the previous two years, I have discovered that this particular position in this amazingly preserved building provides the most incredible natural reverb, with the sound of my lyre literally bouncing off all the walls & floors of authentic 1st century Roman stone! This has just got to be the most incredible venue to attempt to bring back to life the lost music of ancient Rome...
I will also be giving talks in between my recital, all about how my obsession with the lyre & ancient music first began, the fascinating historical background & research behind my attempts to bring back to life the music of antiquity, as well as a demonstration of some fascinating ancient lyre playing techniques which I have used in my many recordings.
All the details, including times, ticket prices and the venue, can be found in the newly updated "Calendar" section of my website:
http://www.ancientlyre.com/ calendar/The incredible Great Bath will also be torch-lit and there will be a bar - I shall look forward to hopefully meeting some of you lovely lyre music fans there on the night!
All the details, including times, ticket prices and the venue, can be found in the newly updated "Calendar" section of my website:
http://www.ancientlyre.com/
Wednesday, February 26, 2014
Zen and the Art of Desert Appreciation
I'm
a happy denizen of the desert, delighted by gnarly cacti, an
abundance of tough creatures, and a lot of exposed rock – but I
will admit that the desert is not for everyone. In fact, when I was
a kid, I used to dream of living in a greener place. That was
because I had never been to one of those greener places in the
winter, and it was also before I had developed my passion for geology
and its attendant dislike of landscapes that are “haired over”
with green stuff that blocks my view of the rocks. Yet though my
love of the desert has its scientific, geological/botanical side,
there is another dimension to it as well, and that dimension is zen.
Zen
is not a concept many people readily connect to the Sonoran Desert.
Most folks picture garden shrines, moss-covered rocks, sapphire-blue
pools and waterfalls when they think of zen (if they think of it at
all). People don't tend to picture saguaros with twisted limbs and
shattered, metamorphic-core mountains. But I would argue that zen is
first thing you should think of when you're in a desert –
especially in the summertime. When you are being blasted by that
apocalyptic heat, in order to survive you sometimes have to stop
thinking. You must simply be;
it's the only way to endure the discomfort with any kind of patience.
And that is a state of mind that usually only zen masters can
achieve. That zen state of mind is the reason I was able to go
beyond my scientific fascination with the desert and actually love
the desert.
It
was only when I was able to get past my discomfort, to sit quietly
and observe the world around me, that I could see what was happening.
It
wasn't until I shut down the noise in my head that I noticed the
silence in the desert was full of sound and the emptiness was full of
life. This is the sort of revelation that comes to you when it's
117° F, and you're
sitting in the shade (where it's only about 105°
F), sipping a Mega Gulp, thinking Wow
– I could die out here,
and suddenly you hear a bug that sounds like a tuning fork. That bug
only makes that noise in the hottest, driest part of the summer, in
the middle of the day. If you're in the right state of mind, that
sound resonates with your soul.
For
some folks, one hot day that forces them to cling to life via a Big
Gulp (at least 64 ounces worth) is enough to put them off deserts
forever. But for some of us oddballs, it's like the gateway drug to
a life of fascination with things gnarly, pointy, dry, and hot.
Here
in Phoenix, Arizona, a desert junkie has many places in which she can
satisfy her cravings. One of my favorites is White Tanks Regional Park. The White Tanks are a metamorphic core complex, meaning that
early deposits of igneous and metamorphic rocks were altered by
upwellings of new molten material, in this case in the mid-Tertiary
period. The park is a haven for saguaros, petroglyphs, hikers,
school field trippers, and mountain lions (not all in the same bus,
of course).
The
hikes range from fairly easy to very challenging (the latter being
the ones on which you could conceivably encounter the mountain lion).
The best time to do them is from Mid October to mid April. Take a
LOT of water if you're planning to hike for more than an hour, and if
you're going any significant distance from the trail heads that have
water fountains. Ernie and I usually take 1 ½ gallons of water
each, (technically, we take 1-liter bottles, 3 to 4 apiece).
And
don't forget to take a camera! It'll give you an excuse to stop and
catch your breath at regular intervals.
After
all, zen only lasts so long. And then you need a Big Gulp.
New Songs for an Ancient Instrument
Check
out Michael's new blog post about music and the price paid for loving
it – just follow the link!
Composing New Music For An Ancient Lyre!
I have just written a brand new blog, revealing the complete story of how my interest in composing music first began, the tortuous teenage lovelorn loneliness which resulted in my very first musical composition at the age of 17...and some of the "magic tricks" I now use, in composing new music for my various models of the lyres of the ancient world!
Here is the URL of the new blog:
Here is the URL of the new blog:
Tuesday, February 11, 2014
The Ancient Greek Modes
Check
out Michael's new blog post about his discovery of the ancient Greek
modes, and how they've continued to inspire his compositions. Follow
the link below!
Composing New Music in the Original Ancient Greek Modes
One of my greatest musical discoveries in my life, was to re-discover the long- forgotten magic of the original ancient Greek musical modes, once wrote about over 2300 years ago, by Plato and Aristotle...
The unique, individual character of these modes has been the back-bone of almost all of my original compositions for solo lyre since my first experimental release in 2010, which featured all 7 of these modes, in my album "The Ancient Greek Modes"
My brand new blog, detailing my experience of composing new music in the original ancient Greek Modes, can be read here.
Sunday, February 2, 2014
Michael Levy's Transformation into Orpheus (But Without the Misadventure in Hell)
Visit
Michael's blog and find out what drives a guy to not only love
ancient music, but to seek reproductions of ancient instruments.
After all, if you want it done right – do it yourself (sort of)! Follow the
link below . . .
The Inspiration behind my "Musical Adventures in Time Travel"...
I have just written a brand new blog, detailing the complete story of how my fascination with ancient music began and what inspires me about the ancient world, the first time, as a child, I imagined what the long-lost lyre of antiquity may once have sounded, the rekindling of my childhood fascination with this instrument - and the continuing story of how my albums came to be recorded, from the humble beginnings of my Youtube Channel in 2006! The new blog can be read here
Friday, January 31, 2014
Yet Another Baffled, Middle-Aged Person Wonders, "WTF?"
Feelings
of bafflement are not new to me. I spent most of my childhood in a
state of bewilderment, mostly because I was weird, nerdy, and
nearsighted. But the first time I can remember feeling blindsided by
the tides of Culture was in high school, in the mid-70s, when the
fabulous, experimental music I had been hearing since about 1968 gave
way to the Disco Era. WTF? I wondered (or the 70s version of
same). Suddenly a bunch of lunk-headed number-crunchers in the music
industry had decided songs should be x minutes long and you
should play the same 20 songs all day long. Since they were only x
minutes long, that meant you heard them a bazillion times.
I
tried to look on the bright side. I explored an interest in
classical music and resigned myself to the idea that my country was
peopled by don't-rock-the-boat, don't-make-me-think-too-hard folks who
voted Republican 55 to 60 per cent of the time because they believed
those folks would preserve the status quo – and that's the way it
was going to be for the foreseeable future. Civil rights would be
gained slowly (like a glacier inching across Antarctica) and popular
culture would never embrace any kind of depth, beauty, or complexity.
This
suspicion was confirmed by the 80s. The teenagers of the 80s seemed
smugly confident that their president(s) had assumed office solely to
assure them a prosperous future. They were upwardly-bound, the sky
was the limit, and those old hippies of the 60s and 70s were a joke.
Only the punks seemed to question the status quo. I had never felt
so far from the mainstream. I struggled to build a career as a
writer, and was so poor that I often had to borrow money to survive –
this despite the fact that I had begun to work two, sometimes three
jobs to make ends meet. I didn't even bother to ask WTF. I
just kept my head down and kept slogging.
The
last thing I expected, when the 90s rolled around, was another WTF
moment. I opened my eyes and noticed that the teenagers and
20-somethings around me had turned into hippies. They loved poetry
and folk music, their pop music was more imaginative, they were
tree-huggers and vegans. I couldn't figure out where they had come
from. I was working very hard to survive, still trying to make
something of myself. I blamed myself for not succeeding, so I didn't
look at the bigger picture. I told myself that those kids were
hippies because the pendulum had swung in the opposite direction, and
that the next generation would swing back again.
But
it didn't do that after 2000 – not exactly, hence the next WTF.
Older people swung right again, though not by the margins I had seen
in the 70s and 80s. Bush barely squeaked into office in 2000 and
2004, and he was elected by older people. Younger people voted
against him. I began to suspect that something was going on that I
should have been aware of since the 90s. After all, it started in
the 70s, when I was still trying to figure out what I was going to do
with my life. It started when I realized I just didn't have that
many options. I blamed myself for that. This is the thing we tend
to do. This is what drives us to keep working, keep trying. If we
dare to suspect that perhaps we're not being paid fairly, perhaps
we're not imagining that there's a lack of real advancement
opportunities, we scold ourselves and say we just need to work
harder.
Young
people have been hearing that BS for over 30 years now. We teach by
example, and the example we've inadvertently given them is that we're
gluttons for punishment, and we think they should be too. They've
learned to shrug off the dogma we keep throwing at them. And that's
what led to my next WTF moment. My notion that civil rights
would inch along, like that glacier, was shot to hell in 2012. I
found out that the current under-40 crowd has a much finer grasp of
ethics than my peer group did. They support gay rights and women's
rights, they don't see WASP culture as superior, they want to protect
the environment, they think war is pointless and greed is
destructive.
I
hope these young people get out and vote in record numbers from now
on. I hope they give me another happy WTF moment. I hope I
can give them a good example of how to live instead of an example of
what not to tolerate.
I'm
working on it – but this time, I hope, with my eyes open.
Illustrations
by Ernest Hogan, nanohuduista and teoguerrilla. If he ever catches
up with me, I may get an unauthorized infotattoo . . .
Thursday, January 30, 2014
The Power and Might of Equal Temperament
Check
out Michael Levy's remastered masterpiece – use the links below!
And write reviews!
Re-release of my Masterfully Re-mastered 2009 Album!
I am pleased to announce the re-release on iTunes of my masterfully re-mastered 2009 album, "Lyre of the Levites"! The new release is now called"Lyre of the Levites: Klezmer Music For Biblical Lyre"...
Produced by Dominik Johnson, this album features awe-inspiring reverb sampled from actual Middle Eastern caves, totally transforming the original 2009 recording of my lyre!
Clips of the original 2009 version were used as the theme music to the BBC Radio 4 "Book at Bedtime" series, "The Liars Gospel" by Naomi Alderman.
This is about the only one of my earlier recordings (before I had the means of tuning my lyre into just intonation), that the use of equal temperament is actually an improvement - in the new masterful mix, the subtle out of phase "shimmer" of equal temperament actually has the effect of making the sound of my lyre take on the power & might of a Cathderal Organ!
Here are the main download links for the album:
NB!! Any new reviews of the album on iTunes or Amazon would be VERY greatly appreciated...thanks, everyone!
Wednesday, January 8, 2014
Ringy-Dingy Lyre Thingees and the Wisdom of Minerva
BBC
Radio has once again displayed its good taste by sampling Michael's
Levy's music for a production about the history and science of music.
And as if that weren't enough, now you can get that music for your
Android phone! Follow the links below . . .
All my albums will soon be on Google Play!
In my ever-increasing efforts to get my lyre music "out there", I was delighted to discover that CD Baby has now partnered with Google Play - soon enabling the download of absolutely every one of my albums on any new-fangled android mobile phone on the planet!
Here is the link to my albums currently available on Google Play:
All the rest of my more recent releases (including "The Ancient Roman Lyre") will also be available from Google Play very soon - the best things in life are worth waiting for!
And!
And!
My Lyre Music on BBC Radio 4!
After finally figuring out the monumental task of registering with the Performance Rights Society, each and every one of my tracks from each and every one of my 23 album/single releases since 2008, I was very pleased to discover, when viewing my first airplay statement, that music from my album "Ode To Ancient Rome" was recently featured on BBC Radio 4!
The track featured was "The Wisdom of Minerva", and it was used at the start of episode 12 of the 30 part series by Matt Thompson, "Noise: A Human History".
A free podcast of this broadcast can be heard here
Please feel free to share this link with the rest of the known UNIVERSE! Many thanks, everyone.
Great to finally be able to know when and where my music is "getting out there"...
Wednesday, January 1, 2014
Raise the Minimum Wage for Sisyphus! (Set to Music)
If
there's a guy the working class can relate to, it's Sisyphus, the
original “Move that pile of cans/books/bricks over there and then
move it back” guy. Now you can watch his story set to music by
Michael Levy. Use the links below:
Use of my Lyre Music in a New Amateur Dramatics Video!
I was pleased to recently collaborate in a delightful new children's amateur dramatics video! The ancient Greek legend of Sisyphus featured in an amateur home video in which I gave permission to use clips from my album "The Ancient Greek Lyre". Sisyphus was doomed to push a rock up a hill for all eternity...enjoy!
NB! I always offer the licensing of my music in any non-profit making, non-commercial project for free - the only terms I usually include in the licensing agreement for such projects, is that a brief review of the album from which the track or tracks are selected, is posted on a prominent digital music store such as iTunes or Amazon.
If anyone out there wishes to use my lyre music for similar purposes, please don't hesitate to get in touch:
Wishing everyone a happy and prosperous 2014!
Sunday, December 22, 2013
Michael Levy and The Ancient Roman Lyre
Michael Levy has a brand new album out! You can buy it in various forms by clicking the links below.
Release of my album "The Ancient Roman Lyre"!
I am pleased to announce the release of my brand new album, "The Ancient Roman Lyre"...
The free PDF of the detailed album notes can be downloaded here
I would be enormously grateful if everyone could please "spread the word"!!
Many thanks, everyone...any reviews of the abum on iTunes, Amazon or CD Baby would also be most greatly appreciated, in my relentless, Herculean efforts as an aspiring independent musican, to get my little-known lyre music heard by the rest of the unsuspecting world - cheers!!
Saturday, December 14, 2013
King David's Chanukah Wish List
Back
in the dim, dusty days when I worked in the music department in
Borders, I talked with a customer who was especially fond of harp
music. “I love the harp more than King David!” he announced,
happily. I was able to hook him up with several harp albums that
day, but I wish we had stocked albums by Michael Levy. That customer
would have gone into the stratosphere if he could have heard
Michael's music.
Now
you can hear it for free! Click the links! Write reviews! Get
cracking!!!
A MASSIVE Christmas Present For All My Fans!
A MASSIVE CHRISTMAS PRESENT FOR ALL MY LYRE MUSIC FANS!!! For a limited time, absolutely EVERY one of my 23 releases since 2008 is available for FREE (or as much as anyone thinks my music is worth!) from Bandcamp! If the "free" option is selected, all I would kindly ask in return, is to post a review of the album or single on either iTunes or Amazon..and to spread the word about my little-known lyre music to the rest of the unsuspecting world...
Here is the link to my Bandcamp Page:
Seasons Greetings, Everyone!
Friday, December 13, 2013
Officer Bernadette Kicks Butt
I
enjoyed Anne Hillerman's new book, Spider Woman's Daughter,
set in her late father's Navajo Detective series. I confess, once I
realized she was a writer who had published a book about her father's
journies in Navajoland (Tony Hillerman's Landscape),
I was hoping she might pick up the reins and write a book in his
series. When Spider Woman's Daughter
was released, I snatched it up and dove into it. I quickly
discovered that Anne Hillerman has her father's knack for building
suspense and character. Even more important, she knows how to allow
the reader to work on the mystery along with the main characters. I
loved being able to learn more about the characters of Officer
Bernadette Manuelito and her mother, as well.
Not
to sound like a Philistine, but I did not discover Tony Hillerman's
detective series until two years ago, after I began to work at the
Heard Museum's book store. My mother was devoted to the series for
many years, waiting for each new book with bated breath, so I knew
they wouldn't disappoint me once I picked them up. And yet I still
didn't read them – not until I read Talking Mysteries
byTony
Hillerman and Ernie Bulow (Ernie Bulow also wrote Navajo
Taboos). This slim volume
contains an introduction by Ernie Bulow, a quick autobiography by
Tony Hillerman, an interview in which Bulow and Hillerman discuss
writing and writing methods, and a masterpiece of a short story by
Hillerman. Be sure and turn all the way to the end of the book,
where you'll find gorgeous illustrations by Ernest Franklin depicting
Joe Leaphorn and Jim Chee on the trail of a mystery. Once I had seen
those illustrations, I knew I had to start reading about the
characters.
I
have now read all but the last two books in Tony Hillerman's series,
and I've been very spoiled by being able to pick them up without
having to wait for them to be written. Alas, I'll be forced to wait
with everyone else for Anne's new books in the series.
So
– how much did I enjoy her book? So much, I'm looking forward to
reading the next one. Considering the big shoes Anne had to step
into, this is high praise. But one word of warning: things get hairy
really quick. You'll be on the hook until the very end!
I decided not to try to use any of the cover graphics for these books from google - they would only be taken down, because they're proprietary. The photo at the top of this post was taken in Petrified Forest/Painted Desert national park, which is also Navajo Country.
Friday, November 29, 2013
Yodeling Goats Drive Big Box Bookstore Into Bankruptcy
Years ago, my friend Eileen Rowan and I worked together at the same Borders, and somehow we got onto the topic of the yodeling goatherd song from The Sound of Music. We noodled together a goofy poem about yodeling goats. We didn't finish it, and I stuck it into a file and forgot it.
Then
recently I was putting together a little display at the Heard Museum
book store for a classic kid's book titled, The Goat in the
Rug. I thought of our poem and
dug it up. It only needed a couple of lines to be complete. So here
it is, the yodeling goat song, written by two miscreants on a slow
night at Borders:
The Yodeling Goat Song
This
is the song of the yodeling goats
They
never eat books but they eat lots of oats
They
live in a castle surrounded by moats
Those
dawdling, oat-eating, yodeling goats.
Sing
yodely-ohdely-dohdely-doo
If
you think they’re funny, then I think so too
Sing
Yodely-ohdely-dohdely-day
They
moved in last week and it looks like they’ll stay
The
yodeling goats, the yodeling goats
They
like to eat fish, so they have shiny coats
They
read magazines and sport colorful totes
Those
oft-toting, fish-eating, yodeling goats
Sing
yodely-ohdely-dohdely-dorm
Don't
buy them a jacket, 'cause they're always warm
Sing
yodely-ohdely-dohdely-day
They
ring all the doorbells and then run away
The
yodeling goats, the yodeling goats
They
don’t give a fig for the DOs and the DON’Ts
They don't cross their Ts and they don't mark their quotes
Those
fig-tossing, mis-quoting yodeling goats
Sing
yodely-ohdely-dohdely, please
Let's
run in the meadows and climb all the trees!
Sing
yodely-ohdely-dohdely-dug
There's
a goat in the pen and a goat in the rug
The
yodeling goats, they have golden throats
And
sing acapella, they know all the notes
They
tap dance all summer, then drink root beer floats
Those
tippy-tap, rooty-beer, golden throat goats
Sing
yodley-ohdely-dohdely-dend
This
yodeling goat song, will it never end?
Sing
yodely-ohdely-dohdely-dain
Wednesday, November 13, 2013
The Oldest Song in the World
Michael
Levy and his performance of the Oldest Goldy-est gets some press in
Australia – follow the links!
The Oldest Song in the World - on the Other Side of the World!
My arrangement for solo lyre of the oldest complete song so far known from antiquity, the 2000 year old ancient Greek drinking song,"Epitaph of Seikilos", has been featured in a newspaper story in the Australian Daily Telegraph...right on the other side of the world, from here in the rain-ravaged UK! The complete story can be read here
...It is just a pity that my early grainy Youtube video featured in the story, was filmed with my (rather suitably) "Iron Age" webcam!
Monday, November 11, 2013
Ancient Music and The Scum Gentry
Michael
Levy goes multimedia in his collaboration with a poet, an animator,
and The Scum Gentry – click
the links below to check it out!
Irish Poetry - Recited to my Lyre Music
I am pleased to announce the creation of a new animation featuring my composition, "Orpheus's Lyre: Lament For Solo Lyre in the Just Intonation of Antiquity". The animation is a collaboration project between the animator,Ciaran Leahy and the Dublin poet Peter O'Neill, based on his poem 'The Execution of Orpheus at Ephesus'. This animation was developed to feature on an Irish Arts & Media online magazine called "The Scum Gentry".
Below is a link to my new blog, featuring all the details about the poem and the Youtube video of the animation:
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