Monday, June 9, 2014
The Great Unconformty (Even More Fabulous Than It sounds)
This
post by Dr. Jack Share about the Great Unconformity and the Grand
Canyon is so fascinating, I have to share it (and preserve it on my
own log so I can come back and visit it). The photographs are
amazing, and worthy of a textbook (for all I know, they ended up in
one). Follow the link and wallow in Deep Time!
Sunday, June 1, 2014
S'cuse Me While I Kiss This Lyre
Follow
the links below and listen to Michael Levy's alternate history take
on modern music. What if the lyre had not been replaced by the
fretted lute . . . ?
21st Century Lyre Music?
Sadly, in the Western world, from the end of the Dark Ages, the wonderful lyre of antiquity was gradually replaced by the fretted lute, until the guitar as we know it became the standard accompaniment to virtually all of modern Western popular music...
In my brand new series of somewhat surreal "cutting edge" Youtube videos,"21st Century Lyre Music?", I wanted to explore an "alternative Universe", in which what may have happened if it had been the fretted lute family of instruments which had fallen into oblivion in the West, and instead, the magical Classical lyre of antiquity had continued to have been played into the 21st century? These videos are therefore dedicated to dragging the lyre of antiquity kicking & screaming (in some cases, literally!) into the 21st century musical experience...
The video playlist below features performances of a selection of both my original compositions and a spontaneous improvision, using a palette of 21st century effects, ranging from FLANGER, AUTO WAH, DISTORTION & PHASER REVERB!!
In this "alternative Universe", I wonder if the late great Jimi Hendrix might have, instead, SET FIRE TO THE LYRE??? Hope you enjoy the music...
Wednesday, April 30, 2014
A Not-So-Ancient Communication Technology, Cherished
I
feel compelled to jump on a bandwagon here concerning an interesting
book, Letters of Note: An Eclectic Collection of Correspondence Deserving of a Wider Audience.
It's been all over facebook and other spots on the web, most recently
because of one of its featured letters, which was written by J.R.R.
Tolkien, in 1938, to a publisher (Rütten
& Loening) in response to a query
concerning his book, The Lord of the Rings. The
publisher wanted to buy German rights, but felt obliged (since it was 1938) to enquire
whether Tolkien was a member of the Aryan race. The letter quoted was supposed to have
been the less diplomatic
of the two that Tolkien drafted – a fact that I find charming,
because it seems quite restrained to me.
Here
is a partial quote from Tolkien's letter: I
am not of Aryan extraction: that is Indo-Iranian; as far as I am
aware none of my ancestors spoke Hindustani, Persian, Gypsy, or any
related dialects. But if I am to understand that you are enquiring
whether I am of Jewish origin, I can only reply that I regret that I
appear to have no ancestors of that gifted people.
I'm
going to go out on a limb and assume that this was not the response
the publisher was hoping for. I'm curious to know what the second
draft said. I think I'm going to have to add Letters of
Note to my bookshelf. It will
stand with similar collections. One of the best ways to study
history is to read letters written by the people who lived through
it.
But
our part of history isn't documented that way. We write emails and
post comments on social media, many of which have to be less than (x)
characters. We may receive
eloquent emails from brilliant people: writers, artists, scientists,
etc. But the emails that are preserved are the ones from corrupt
politicians and businessmen.
I
suppose we can argue that our electronic brand of correspondence is
in its infancy, and many things could happen to change it. Perhaps
it will even be discarded as the social networking sites become too
commercialized and controlled. Instant communication is necessary in
a society where business is booming and many things have to happen
quickly, but we've reached a point where economies are stagnant,
resources are strained, and underemployment is the new norm. Our
philosophy of tearing up the landscape and tearing out our hair to
produce stuff and ship it out as quickly as possible doesn't resonate
with young people. And their children
may feel that constantly talking to each other on Twitter is old
fashioned.
That
doesn't mean they'll sit down and write letters to each other. I
think if we wanted them to do that, we'd have to insist that schools
begin to teach the art of letter-writing from kindergarten through
high school. At this point, we don't fund or staff them well enough
even to teach basic English, math, and science, and curriculums are under
attack from legislatures who are hostile to education in general.
Ironically,
this is just the sort of historical event that could be
well-documented through letters.
Since
we don't have letters to document our age, I'll have to make do with
doodles by Ernest Hogan to illustrate this post. He's out of town,
at U.C. Riverside, talking about Latino SciFi with other
chicanonauts. While he's gone, I'm stealing his art and eating all
the ice cream . . .
Sunday, April 27, 2014
Snappin' and Pluckin'
Michael
Levy has a couple of new announcements to make –follow the links
and discover the beauty of ancient music!
My CD "King David's Lyre; Echoes of Ancient Israel" has made it to King David's Lyre...in Israel!
A fan of mine from Australia who bought a copy of my CD, "King David's Lyre; Echoes of Ancient Israel" was on a recent vacation in Jerusalem and has just kindly sent me the most utterly awesome photo...of my CD cover on the famous sculpture in Jerusalem, of King David's Lyre - this photo has surely got to be the best tribute to my debut album of 2008 - ever!
To see the said utterly awesome photo, please click here to see this cryogenically cool news bulletin!
As this may well be about the nearest I may ever get to actually being in "The Promised Land" on my ever-struggling musician's 'income', THIS PHOTO JUST MADE MY DAY!!
To see the said utterly awesome photo, please click here to see this cryogenically cool news bulletin!
As this may well be about the nearest I may ever get to actually being in "The Promised Land" on my ever-struggling musician's 'income', THIS PHOTO JUST MADE MY DAY!!
Pluckin' GREAT!!
I have finally got some of my best tracks registered in a new compilation with a genuine Music Library!
The organisation who contacted me was SRL Networks...maybe someday soon a major company like Felt Music might also take a sniff of my niche market releases for solo lyre & then the use of my tracks in every ancient themed movie & historical TV documentary in the known world??? Watch this space!!
My brand new SRL Networks compilation is also available to hear & share on Spotify:
NB! If there are any more tracks any of you lovely lyre fans out there would like me to add to this existing SLR compilation, do please let me know!!
This is certainly a step in the right direction in the hope of "living the dream" of someday actually being able to make some sort of living out of my love of lyre pluckin'!
Indeed, in my daily struggle to 'get my music out there', sometimes I feel the actual anguish of Orpheus...I am but a humble musician and not a salesperson, so when it comes to promoting my musical wares to the rest of the unsuspecting world, (apart from my thankfully ever-growing web presence!), I really haven't a clue who to contact and how!
What I really really need to find, is a specialist music agent, preferably in the UK, but anyone with the necessary know how will do!
Therefore, does anyone out there know anybody who knows anything about how to further my cause? Any help, whatsoever, would be most gratefully appreciated! Many thanks, everyone...
The photo at the top of this post is from Bryce Canyon National Park in Utah, offered up because, like Michael, I will likely only visit Israel through books and the internet, and from the photos I've seen of it, parts of Israel look like parts of Utah.
Thursday, April 17, 2014
We Control the Horizontal, We Control the Vertical
When PONTYPOOL begins, you might think it's a noir-style thriller or mystery. It hooks you in much the same way as one of those. Once it takes a sharp turn in the horror direction, you're in for the ride and waiting to see what will happen next. That it manages to go off into an unexpected direction from there is a real treat.
It
succeeds as a science fiction movie with some odd twists and turns.
But the best thing about it is the radio studio in which most of it
is set. They could have performed the story as a stage play (and
maybe that's what is was, originally), or even as a radio broadcast.
But what I liked most was the studio itself. Something about that
place made me think of NASA control rooms. It seemed a place from
which the world could be saved. This is probably due to the era in
which I was raised -- technology was dials and gauges, pipes and
switches. How I would love to work in a place like that. I loved
being in that control room with the characters, and damned if they
didn't figure out -- well, you'd better watch and see for yourself.
It's worth the ride.
Wednesday, April 9, 2014
Feasting With the Dead
If
you're in Chicago this year, don't forget to stop in and see this
exhibit (and hear Michael Levy's music). Follow the link . . .
My Music Now Featuring at the University of Chicago Oriental Institute Museum!
Tracks from my 2011 compilation album, "Ancient Landscapes" are being used in the video "Remembering Katumuwa" featured in the Special Exhibit "In Remembrance of Me: Feasting with the Dead in the Ancient Middle East" at the Oriental Institute Museum, University of Chicago, between 8th April 2014 to 4th January 2015!
For full details, please read this news update here!
Note
– the photo at the top of this post is not from that exhibit –
it's from an old ranchero museum in New Mexico. But it kinda sorta
fit the theme.
Sunday, April 6, 2014
Surfing For Musical History
Michael
Levy proves it's possible to find gold online if the right pilgrim
looking for it. Follow the links below!
New Archaeological Discoveries - with my Laptop!
Never under estimate the power of Google search - I have recently found the answers to 2 intriguing questions regarding the lyres of antiquity...right here, on my laptop!
The first puzzle I managed to resolve, was the curious ridge seen on the back of the Biblical Kinnor lyres depicted on the coins from the Simon Bar Kokhba Revolt against the Roman occupation of Judea in the 2nd century CE.
For years, I had assumed this vertical ridge must have been some sort of strap to hold the lyre - until I stumbled into this amazing Vimeo video by author and musicologist, Michalis P. Georgiou. It explains some of the obvious differences between the lyre we are familiar with, and the kithara which has a number of special characteristics unique to the instrument. During the course of these explanations, it is mentioned that the ancient Greek Kithara also had a vertical ridge down the back - this was to represent the shape of the spine of a tortoise, as seen in the more archaic ancient Greek "Lyra" - the lyre made with a skin stretched over tortoise shell resonator ...the mystery of the ridge seen down the back of the highly Hellanised evolution of the later versions of the Biblical Kinnor, (which in the 1st century, was almost identical to the ancient Greek Kithara), was finally solved!
The second major discovery I have made on Google, was an ancient description of an actual lyre playing technique which I had previously inferred from illustrations of ancient lyre players and which is featured in all of my albums - alternating between finger plucked and plectrum plucked tones. I found a description of this very same technique in some really interesting text by the ancient Roman poet, Virgil, in his epic poem, "The Aeneid - Book VI, line 645 :
"...There Orpheus too, the long-robed priest of Thrace, accompanies their voices with the seven-note scale, playing now with fingers, now with the ivory quill" [nec non Threicius longa cum ueste sacerdos obloquitur numeris septem discrimina uocum,iamque eadem digitis, iam pectine pulsat eburno] ...It is amazing what you can find online these days!
new_archaeological_ discoveries_in_my_lounge_on_ my_laptop/
The second major discovery I have made on Google, was an ancient description of an actual lyre playing technique which I had previously inferred from illustrations of ancient lyre players and which is featured in all of my albums - alternating between finger plucked and plectrum plucked tones. I found a description of this very same technique in some really interesting text by the ancient Roman poet, Virgil, in his epic poem, "The Aeneid - Book VI, line 645 :
"...There Orpheus too, the long-robed priest of Thrace, accompanies their voices with the seven-note scale, playing now with fingers, now with the ivory quill" [nec non Threicius longa cum ueste sacerdos obloquitur numeris septem discrimina uocum,iamque eadem digitis, iam pectine pulsat eburno] ...It is amazing what you can find online these days!
And
here's a link to his new blog about his findings:
http://ancientlyre.com/blogs/Thursday, March 20, 2014
Hello, I'm Dr. Flora Strangelove . . .
Recently
I had one of those dreams where I couldn't remember who I was, where
I was, or how I had gotten there. To compound my confusion, I
dreamed that I woke up in that state. I believe the term for that
kind of experience is false awakening (but
I may just be making that up from my own fevered imagination). It
also didn't help that people sometimes actually do wake
up without any idea where they are or how they got there – the
experience is common enough to lend the dream that extra element of
realism (and therefore that edge of panic).
In
this dream, I woke up of the hood of a car. I had no memory of going
to sleep there. But oddly, I did know something: it had happened
before. So instead of flipping out, I tried to take stock of the
situation.
This
attempt to make sense of the unknown is what lies at the heart of
many dreams. The circumstances usually don't make the slightest
sense, so the explanations we come up with can be quite creative. In
this case, I noticed that I was in a parking lot, possibly next to an
Interstate, and there was a building nearby that could have been
bathrooms. A few other cars were in the lot, and some of them also
had people sleeping on the hoods. Those people had blankets and
pillows; once I saw that, I realized that I did too. So probably I
was sleeping on my hood on purpose, rather than ending up there as
the result of an accident (or a drunken misadventure).
Once
I reached this conclusion, I noticed there was another critical piece
of information that I had forgotten: my name. It should have been
the first thing that came to mind, but it absolutely did not. When I
wracked my brains for it, the name Flora
bounced around like a withered peanut in its shell. So I thought
maybe my name was Flora.
But the name Dr. Strangelove
was also knocking around in there, so by that reasoning my name must
be Dr. Flora Strangelove.
And
why are we all sleeping on our hoods instead of in our cars, where
it's safer? I wondered. The
temperature was comfortable outside, maybe that was it. But wait –
if we were near an interstate, we might be far enough away from town
to see the stars. So I rolled onto my back to look up and, sure
enough, the Milky Way stretched across the sky in full, fabulous
display. I figured this must be why I had decided to sleep on the
hood: so I could enjoy this view.
As
I gazed in wonder, I heard a sound that knocked my panic level up a
notch: someone stirred beside me. I had company on that hood.
Slowly
I turned my head to gaze at this menace. But he was asleep too, and
he was in a sleeping bag. That suggested that he hadn't just snuck
up on me, he belonged there. I studied his face, but didn't
recognize it. Maybe if I had been looking in a mirror I wouldn't
have known myself, either. As I stared at him, he pried an eye open
and focused on me.
“Hello,”
I said. “I'm Doctor Flora Strangelove.”
He
managed to look baffled, even though he was only half awake. “Huh?'
he said. “Wha – ?”
And
then I woke up for real.
These
half-baked little scenarios are exactly the sort of thing that get
writers thinking. The human brain can't help trying to find
patterns, even if no real pattern exists. The philosophy of a writer
is that it doesn't matter what's real – you can make it seem
real. You just have to find an interesting way to fill in the
blanks. And that's why dreams like the one in which I played Dr.
Flora Strangelove are more interesting than frustrating. Even if I
never do much with it, I'll wonder why those two people were sleeping
on the hood of that car together. Were they married? Were they
private investigators (with a really small budget)?
Who
else was in that parking lot . . . ?
The
illustrations for these posts are from the files of Ernest Hogan.
The one of the long-fingered lady at the top is the cover for my
ebook, Pale Lady. Download it for free on Smashwords!
Thursday, March 6, 2014
Every Roman Bath Should Have At Least One Lyre Guy
Time
once again to head on down to the Roman Baths and get your fix of
lyre music from Michael Levy! And if you don't live in the U.K.,
remember you can download or order his albums. Follow the links and
fix the date in your head . . .
Live Lyre Concert at the Roman Baths!
Sit laus Deo Apollini! For the third year in succession, I will be having the pleasure of playing my lyre, live at the world famous Roman Baths at Bath Spa! This concert and talk, held between 8pm - 10pm on Friday 16th May 2014, will form part of the annual "Museums at Night" festival.
I will be performing at the amphitheatre below the incredibly evocative Gorgon's Head at the Temple Pediment of Sulis Minerva - from my experience of playing here for the previous two years, I have discovered that this particular position in this amazingly preserved building provides the most incredible natural reverb, with the sound of my lyre literally bouncing off all the walls & floors of authentic 1st century Roman stone! This has just got to be the most incredible venue to attempt to bring back to life the lost music of ancient Rome...
I will be performing at the amphitheatre below the incredibly evocative Gorgon's Head at the Temple Pediment of Sulis Minerva - from my experience of playing here for the previous two years, I have discovered that this particular position in this amazingly preserved building provides the most incredible natural reverb, with the sound of my lyre literally bouncing off all the walls & floors of authentic 1st century Roman stone! This has just got to be the most incredible venue to attempt to bring back to life the lost music of ancient Rome...
I will also be giving talks in between my recital, all about how my obsession with the lyre & ancient music first began, the fascinating historical background & research behind my attempts to bring back to life the music of antiquity, as well as a demonstration of some fascinating ancient lyre playing techniques which I have used in my many recordings.
All the details, including times, ticket prices and the venue, can be found in the newly updated "Calendar" section of my website:
http://www.ancientlyre.com/ calendar/The incredible Great Bath will also be torch-lit and there will be a bar - I shall look forward to hopefully meeting some of you lovely lyre music fans there on the night!
All the details, including times, ticket prices and the venue, can be found in the newly updated "Calendar" section of my website:
http://www.ancientlyre.com/
Wednesday, February 26, 2014
Zen and the Art of Desert Appreciation
I'm
a happy denizen of the desert, delighted by gnarly cacti, an
abundance of tough creatures, and a lot of exposed rock – but I
will admit that the desert is not for everyone. In fact, when I was
a kid, I used to dream of living in a greener place. That was
because I had never been to one of those greener places in the
winter, and it was also before I had developed my passion for geology
and its attendant dislike of landscapes that are “haired over”
with green stuff that blocks my view of the rocks. Yet though my
love of the desert has its scientific, geological/botanical side,
there is another dimension to it as well, and that dimension is zen.
Zen
is not a concept many people readily connect to the Sonoran Desert.
Most folks picture garden shrines, moss-covered rocks, sapphire-blue
pools and waterfalls when they think of zen (if they think of it at
all). People don't tend to picture saguaros with twisted limbs and
shattered, metamorphic-core mountains. But I would argue that zen is
first thing you should think of when you're in a desert –
especially in the summertime. When you are being blasted by that
apocalyptic heat, in order to survive you sometimes have to stop
thinking. You must simply be;
it's the only way to endure the discomfort with any kind of patience.
And that is a state of mind that usually only zen masters can
achieve. That zen state of mind is the reason I was able to go
beyond my scientific fascination with the desert and actually love
the desert.
It
was only when I was able to get past my discomfort, to sit quietly
and observe the world around me, that I could see what was happening.
It
wasn't until I shut down the noise in my head that I noticed the
silence in the desert was full of sound and the emptiness was full of
life. This is the sort of revelation that comes to you when it's
117° F, and you're
sitting in the shade (where it's only about 105°
F), sipping a Mega Gulp, thinking Wow
– I could die out here,
and suddenly you hear a bug that sounds like a tuning fork. That bug
only makes that noise in the hottest, driest part of the summer, in
the middle of the day. If you're in the right state of mind, that
sound resonates with your soul.
For
some folks, one hot day that forces them to cling to life via a Big
Gulp (at least 64 ounces worth) is enough to put them off deserts
forever. But for some of us oddballs, it's like the gateway drug to
a life of fascination with things gnarly, pointy, dry, and hot.
Here
in Phoenix, Arizona, a desert junkie has many places in which she can
satisfy her cravings. One of my favorites is White Tanks Regional Park. The White Tanks are a metamorphic core complex, meaning that
early deposits of igneous and metamorphic rocks were altered by
upwellings of new molten material, in this case in the mid-Tertiary
period. The park is a haven for saguaros, petroglyphs, hikers,
school field trippers, and mountain lions (not all in the same bus,
of course).
The
hikes range from fairly easy to very challenging (the latter being
the ones on which you could conceivably encounter the mountain lion).
The best time to do them is from Mid October to mid April. Take a
LOT of water if you're planning to hike for more than an hour, and if
you're going any significant distance from the trail heads that have
water fountains. Ernie and I usually take 1 ½ gallons of water
each, (technically, we take 1-liter bottles, 3 to 4 apiece).
And
don't forget to take a camera! It'll give you an excuse to stop and
catch your breath at regular intervals.
After
all, zen only lasts so long. And then you need a Big Gulp.
New Songs for an Ancient Instrument
Check
out Michael's new blog post about music and the price paid for loving
it – just follow the link!
Composing New Music For An Ancient Lyre!
I have just written a brand new blog, revealing the complete story of how my interest in composing music first began, the tortuous teenage lovelorn loneliness which resulted in my very first musical composition at the age of 17...and some of the "magic tricks" I now use, in composing new music for my various models of the lyres of the ancient world!
Here is the URL of the new blog:
Here is the URL of the new blog:
Tuesday, February 11, 2014
The Ancient Greek Modes
Check
out Michael's new blog post about his discovery of the ancient Greek
modes, and how they've continued to inspire his compositions. Follow
the link below!
Composing New Music in the Original Ancient Greek Modes
One of my greatest musical discoveries in my life, was to re-discover the long- forgotten magic of the original ancient Greek musical modes, once wrote about over 2300 years ago, by Plato and Aristotle...
The unique, individual character of these modes has been the back-bone of almost all of my original compositions for solo lyre since my first experimental release in 2010, which featured all 7 of these modes, in my album "The Ancient Greek Modes"
My brand new blog, detailing my experience of composing new music in the original ancient Greek Modes, can be read here.
Sunday, February 2, 2014
Michael Levy's Transformation into Orpheus (But Without the Misadventure in Hell)
Visit
Michael's blog and find out what drives a guy to not only love
ancient music, but to seek reproductions of ancient instruments.
After all, if you want it done right – do it yourself (sort of)! Follow the
link below . . .
The Inspiration behind my "Musical Adventures in Time Travel"...
I have just written a brand new blog, detailing the complete story of how my fascination with ancient music began and what inspires me about the ancient world, the first time, as a child, I imagined what the long-lost lyre of antiquity may once have sounded, the rekindling of my childhood fascination with this instrument - and the continuing story of how my albums came to be recorded, from the humble beginnings of my Youtube Channel in 2006! The new blog can be read here
Friday, January 31, 2014
Yet Another Baffled, Middle-Aged Person Wonders, "WTF?"
Feelings
of bafflement are not new to me. I spent most of my childhood in a
state of bewilderment, mostly because I was weird, nerdy, and
nearsighted. But the first time I can remember feeling blindsided by
the tides of Culture was in high school, in the mid-70s, when the
fabulous, experimental music I had been hearing since about 1968 gave
way to the Disco Era. WTF? I wondered (or the 70s version of
same). Suddenly a bunch of lunk-headed number-crunchers in the music
industry had decided songs should be x minutes long and you
should play the same 20 songs all day long. Since they were only x
minutes long, that meant you heard them a bazillion times.
I
tried to look on the bright side. I explored an interest in
classical music and resigned myself to the idea that my country was
peopled by don't-rock-the-boat, don't-make-me-think-too-hard folks who
voted Republican 55 to 60 per cent of the time because they believed
those folks would preserve the status quo – and that's the way it
was going to be for the foreseeable future. Civil rights would be
gained slowly (like a glacier inching across Antarctica) and popular
culture would never embrace any kind of depth, beauty, or complexity.
This
suspicion was confirmed by the 80s. The teenagers of the 80s seemed
smugly confident that their president(s) had assumed office solely to
assure them a prosperous future. They were upwardly-bound, the sky
was the limit, and those old hippies of the 60s and 70s were a joke.
Only the punks seemed to question the status quo. I had never felt
so far from the mainstream. I struggled to build a career as a
writer, and was so poor that I often had to borrow money to survive –
this despite the fact that I had begun to work two, sometimes three
jobs to make ends meet. I didn't even bother to ask WTF. I
just kept my head down and kept slogging.
The
last thing I expected, when the 90s rolled around, was another WTF
moment. I opened my eyes and noticed that the teenagers and
20-somethings around me had turned into hippies. They loved poetry
and folk music, their pop music was more imaginative, they were
tree-huggers and vegans. I couldn't figure out where they had come
from. I was working very hard to survive, still trying to make
something of myself. I blamed myself for not succeeding, so I didn't
look at the bigger picture. I told myself that those kids were
hippies because the pendulum had swung in the opposite direction, and
that the next generation would swing back again.
But
it didn't do that after 2000 – not exactly, hence the next WTF.
Older people swung right again, though not by the margins I had seen
in the 70s and 80s. Bush barely squeaked into office in 2000 and
2004, and he was elected by older people. Younger people voted
against him. I began to suspect that something was going on that I
should have been aware of since the 90s. After all, it started in
the 70s, when I was still trying to figure out what I was going to do
with my life. It started when I realized I just didn't have that
many options. I blamed myself for that. This is the thing we tend
to do. This is what drives us to keep working, keep trying. If we
dare to suspect that perhaps we're not being paid fairly, perhaps
we're not imagining that there's a lack of real advancement
opportunities, we scold ourselves and say we just need to work
harder.
Young
people have been hearing that BS for over 30 years now. We teach by
example, and the example we've inadvertently given them is that we're
gluttons for punishment, and we think they should be too. They've
learned to shrug off the dogma we keep throwing at them. And that's
what led to my next WTF moment. My notion that civil rights
would inch along, like that glacier, was shot to hell in 2012. I
found out that the current under-40 crowd has a much finer grasp of
ethics than my peer group did. They support gay rights and women's
rights, they don't see WASP culture as superior, they want to protect
the environment, they think war is pointless and greed is
destructive.
I
hope these young people get out and vote in record numbers from now
on. I hope they give me another happy WTF moment. I hope I
can give them a good example of how to live instead of an example of
what not to tolerate.
I'm
working on it – but this time, I hope, with my eyes open.
Illustrations
by Ernest Hogan, nanohuduista and teoguerrilla. If he ever catches
up with me, I may get an unauthorized infotattoo . . .
Thursday, January 30, 2014
The Power and Might of Equal Temperament
Check
out Michael Levy's remastered masterpiece – use the links below!
And write reviews!
Re-release of my Masterfully Re-mastered 2009 Album!
I am pleased to announce the re-release on iTunes of my masterfully re-mastered 2009 album, "Lyre of the Levites"! The new release is now called"Lyre of the Levites: Klezmer Music For Biblical Lyre"...
Produced by Dominik Johnson, this album features awe-inspiring reverb sampled from actual Middle Eastern caves, totally transforming the original 2009 recording of my lyre!
Clips of the original 2009 version were used as the theme music to the BBC Radio 4 "Book at Bedtime" series, "The Liars Gospel" by Naomi Alderman.
This is about the only one of my earlier recordings (before I had the means of tuning my lyre into just intonation), that the use of equal temperament is actually an improvement - in the new masterful mix, the subtle out of phase "shimmer" of equal temperament actually has the effect of making the sound of my lyre take on the power & might of a Cathderal Organ!
Here are the main download links for the album:
NB!! Any new reviews of the album on iTunes or Amazon would be VERY greatly appreciated...thanks, everyone!
Wednesday, January 8, 2014
Ringy-Dingy Lyre Thingees and the Wisdom of Minerva
BBC
Radio has once again displayed its good taste by sampling Michael's
Levy's music for a production about the history and science of music.
And as if that weren't enough, now you can get that music for your
Android phone! Follow the links below . . .
All my albums will soon be on Google Play!
In my ever-increasing efforts to get my lyre music "out there", I was delighted to discover that CD Baby has now partnered with Google Play - soon enabling the download of absolutely every one of my albums on any new-fangled android mobile phone on the planet!
Here is the link to my albums currently available on Google Play:
All the rest of my more recent releases (including "The Ancient Roman Lyre") will also be available from Google Play very soon - the best things in life are worth waiting for!
And!
And!
My Lyre Music on BBC Radio 4!
After finally figuring out the monumental task of registering with the Performance Rights Society, each and every one of my tracks from each and every one of my 23 album/single releases since 2008, I was very pleased to discover, when viewing my first airplay statement, that music from my album "Ode To Ancient Rome" was recently featured on BBC Radio 4!
The track featured was "The Wisdom of Minerva", and it was used at the start of episode 12 of the 30 part series by Matt Thompson, "Noise: A Human History".
A free podcast of this broadcast can be heard here
Please feel free to share this link with the rest of the known UNIVERSE! Many thanks, everyone.
Great to finally be able to know when and where my music is "getting out there"...
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