Fascinating courtly intrigue and bloody power games set on a generation ship full of secrets―Medusa Uploaded is an imaginative, intense mystery about family dramas and ancient technologies whose influence reverberates across the stars. Disturbing, exciting, and frankly kind of mind-blowing.” ―Annalee Newitz, author of Autonomous

Saturday, January 26, 2013

The Battle of the Battle of Thermopylae



Here's another free download from Michael Levy:

Another FREE 320kbps Quality MP3 Download: "The Battle of Thermopylae"... 

Hi Everyone!
Here is yet another new FREE 320kbps quality MP3 download of a brand new composition for solo lyre, "The Battle of The Battle of Thermopylae":

http://www.mediafire.com/?gksd96emyep1qql

This spontaneous improvisation in the war-like ancient Greek Dorian mode, is the first ever time I attempted to imitate an electric guitar WHAMMY BAR on the lyre...enjoy!! ;o)

Thanks everyone, for all your support in "spreading the word" about my music on ancientlyre.com...& this new series of 100% free promotional MP3 downloads!!

Thursday, January 24, 2013

Exploring A Grand Mystery



Carving Grand Canyon: Evidence, Theory, and Mystery, by Wayne Ranney, is the next logical book to read after the one he co-wrote with Ron Blakey, Ancient Landscapes of the Colorado Plateau. In Ancient Landscapes, the authors describe the environments in which the layers of the Colorado Plateau formed and illustrate those concepts with paleogeographic maps. As you study those maps, you can't help but try to impose the Grand Canyon on them, since it's the feature that best exposes the layers. At what point, you may wonder, does the canyon begin to be carved?

Carving Grand Canyon is the best answer to that question. It narrates the attempt by geologists to formulate a unified theory of how the Grand Canyon formed and how long it took to do so. Once you've started reading it you'll realize that theory is – complicated.
Fortunately, it's also fascinating – a story of rivers and basins, faults and frost wedging, lava flows and karst collapse, personalities and plate tectonics. If you look at a map of the Canyon, from Lee's Ferry to Grand Wash Cliffs, you may suspect that it's not simply a question of how old the Colorado River is (though that's the most pertinent question). It's a question of what else can happen in a region that large, over millions of years during which several unique conditions persist.


One of the most interesting controversies is whether a paleocanyon may have existed, one that continued to be cut down to current levels in parts of the Grand Canyon. The graphic on page 124 beautifully illustrates the argument that a paleocanyon existed in Mesozoic layers above Eastern Grand Canyon that have since eroded away. The relatively new study of karst collapse near the Kaibab Upwarp also sheds some light on the mystery of how the river cut through the southern tip of the upwarp.

This book is for people whose curiosity burns when they look at the Grand Canyon, trained geologists and armchair geologists alike. It is lavishly illustrated with photographs, cross-sections, maps (some of which are paleogeographic), and diagrams that make the text clear and easy to understand. It offers a coherent answer to a question that is far more complicated than it seems. And best of all, it sparks as much curiosity as it satisfies. Buy two copies – one for your reference library, and one to take with you as you explore Grand Canyon, a place with enough wonder to fill a lifetime.


Tuesday, January 22, 2013

Is Self-Promotion Always Spam?



Michael Levy is offering some more fabulous freebees of his music this week (please see the links below), and also posing a question. Is there a better way to self-promote than to keep sending out links through social media and asking your friends to share them? My own take on this is pretty straight-forward. I think if you're continually sending links that say BUY [SUCH & SUCH] FOR JUST $XX.99!, that's spam. If you're sharing links for free downloads, that's self-promotion. And if your music is really high quality, like Michael's is, that's an extra bonus. So please, friends – share these links and listen to the music. Spread the word!



Free Download of My New Composition For Solo Lyre!


Hi Everyone,

For being so amazingly supportive & subscibing to my mailing list, I have decided to now regularly offer free downloads of my future compositions - please feel free to share these free MP3 download links with the rest of the known world...this is certainly a new way I am experimenting with, to "get my music out there"! So, here is your first, 100% free download link, to my sparkly, brand new composition, "Ancient Lyre Strings":



For a more authentic ancient tone, as well as being tuned in the wonderfully pure-sounding just intonation of antiquity, the bass strings of the lyre being played here (my wonderful hand-made"Davidic Harp" by Marini Made Harps), are made of beautifully rich-sounding natural fibres of pure wound silk - special thanks to Peter Pringle for making these strings for me to experiment with!

I have also just uploaded a new promotional video on Youtube featuring this new composition, which I would be most grateful if you could also please share:


Recently, I have been impaled on the horns of a dilema facing every relatively unknown unsigned artist - if I don't do everything I can to "get my music out there" on both my website, Youtube & my recent abundance of posts on Facebook & social media to draw attention to these efforts, then absolutely nobody else is going to do it for me (there is no point in having my 18 albums on iTunes if nobody actually knows they are there!)...but how do I best go about this, without verging on spouting forth spam? 

Yet, to avoid this "sickening spammy spoiler scenario", if I only "blow my virtual horn" every month or so on social media instead of every few days, then for months at a time, anyone who hasn't yet had the chance of hearing my music for the 1st time is not going to get to hear my music for the 1st time - for months at a time...ARGH! The sweet pain!! 

If anyone has any useful advice on how to best resolve this dilemma, this would be incredibly appreciated - thanks!

Kind Regards,

Michael


Sunday, January 13, 2013

Tuesday, January 8, 2013

Musical Adventures In Time Travel



Michael Levy's music has been featured in The Sonic Enquirer. Read on!

Lyre, Lyre! The Sonic Inquirer

Hi Everyone!
 
I was pleased to stumble across a brand new article about my "Musical Adventures in Time Travel" in "The Sonic Inquirer" posted by Mike Mackey - here is the link to the article:
 
 
It is a great feeling to see that my relentless efforts simply to get my virtually unknown music "out there" are, at last, bearing fruit!
 
Wishing everyone a healthy & happy 2013...
 
All the best!

Monday, January 7, 2013

Berries For Birdies



If you live in the Southwest, and you want to provide a habitat for songbirds, two plants to consider are the skunkbush sumac and the torrey wolfberry.

The skunkbush has unimpressive flowers that bloom in the spring, but afterward, hairy red berries that are high in vitamin C form on the bush – and birds love them. It's big, about 8 ½ feet, so keep that in mind if you have a small garden (unless you want to get all prune-y and shape-y with it).


The torrey wolfberry is also a bit sprawling, but one source I found said that you can “prune the lower branches to show off the attractive pale trunk.” It's berries are red, and the birdies love it. I haven't tried these in my garden yet, but when I do I think I'll prune them so the berries are up high enough to make the birds less of a target for the local cats.

My yard is still a work in progress. Think I'll try the wolfberry first . . .

Monday, December 24, 2012

The Hidden Fortress



Recently my husband and I were able to watch Akira Kurosawa's The Hidden Fortress during one of Hulu's “free” nights, and I found myself once again entranced by this delightful tale.


I've seen it perhaps 5 times in my life. The first time was in a revival theater, the Valley Art. I was around 19 years old, and the other people in the audience were mostly college students. As much as I liked seeing it on my 28-inch screen at home, it's a powerful experience on the big screen – so much so that, although the movie was filmed in black & white, I remember parts of it in color. Most of it was filmed at real, outdoor locations, but I suspect parts were filmed in a studio, on lovingly detailed sets. Cecil B. DeMille's got nothing on Kurosawa when it comes to gorgeous spectacle. Another thing that impresses me is the number of extras in the movie. It doesn't boast “a cast of thousands," but there are sometimes a few hundred people on the screen, yet the main characters never get lost in all that action.


The big star in the film is Toshiro Mifune, who plays the stoic samurai character, General Rokurota Makabe, with aplomb. When he wears a mustache and beard, he looks just like the paintings of samurai on silk screens, or like the masks in Japanese theater. He's wonderful, but he's made more so by the character who steals the movie: Princess Yuki. She is the reason I keep wanting to see this movie. She is extraordinarily beautiful, as you pretty much expect a princess to be, but it's actually her imperious-yet-socially-awkward personality that steals my heart. She is the only child of Lord Akizuki, and the sole survivor from an old and noble family. Because she had no brother, her father raised her to lead the clan. She is fearless and utterly imperial, well-trained in the art of giving orders that must be obeyed. These are traits that inspire devotion and unquestioning loyalty in the handful of servants that survived the massacre of her kin. She accepts this loyalty. But she is compassionate too – a trait she must wrestle with if she wants to re-establish her clan.


You might think Yuki and Rokurota are the glue that hold this movie together, but that distinction goes to a couple of viewpoint characters, the comical (but not always likeable) Tahei and Matashichi, a couple of peasants who went to war in order to get rich. This is not a scheme that works out for them, and things go from bad to worse in the first five minutes of the film. From that point forward, these two knuckleheads fall into one disaster after another. Their own greed and moral ambiguities drive them to keep making mistakes, but those are the traits Rokurota finds the most useful as he tricks them into helping him and Yuki move the gold that belongs to the shattered Clan Akizuki to safety.


Along the way, Yuki insists on rescuing a slave girl, an act of compassion that seems too soft-hearted at first, until this same girl manages to save the day several times. Can this band of misfits get the gold to safety so Yuki can rebuild her clan? The odds are stacked against them, but they still have some tricks up their sleeves.

Each time I watch this movie, I notice something different. This time it was the fact that the hidden fortress sits in the middle of an odd and other-worldly deposit of what appears to be volcanic tuff. I can't help wondering if this site survives intact in modern Japan. I hope it does. It was part of the magic of this movie, one detail in a long list of wondrous sights and sounds.


I love The Hidden Fortress. Princess Yuki has won my devotion, too.    

Tuesday, December 11, 2012

Help The Artists You Love -- Give Them Good Reviews!


Here's another link for a wonderful sample from Michael Levy. He makes an excellent point in his announcement – good ratings and positive reviews are essential for artists, musicians, and writers these days. Don't feel that you have to wax poetic, just a few heartfelt sentences will do the job (along with lots of stars).


The Podcast History of the World - The Ancient Hebrews

I am pleased to announce that a selection of my music from my Biblical lyre-themed albums is to feature in Rob Monaco's free iTunes "Podcast History of the World" series on the ancient Hebrews! Here is a link to hear the first episode of this fascinating historical series:


I am delighted at the recent unique opportunities I have been involved with, in my efforts to get my music "out there", to the rest of the unsuspecting world! 

If any of you lovely subscribers to my mailing lists ever do decide to purchase any track from any of my albums on a major digital store such as iTunes, Amazon or CD Baby, do please, please also spare a few moments to rate/review the album from which the track comes from - as an unsigned artist, my precious little collection of album reviews are so far the best means of getting my "Musical Adventures in Time Travel" actually noticed & used in fabulous new opportunitues such as this one!

Thanks agin, for all your support, in my relentelss quest, to attempt to recreate the lost music of the ancient world...



Friday, December 7, 2012

Wayne Ranney: Geologist, Adventurer, and Mapmaster Flash


You may recall that I mentioned, sometime in the recent past, the paleogeographic maps are fabulous. Or you may not. But they are. And what's even more wonderful is that Wayne Ranney, one of the guys behind those afore-mentioned fabulous maps will be speaking at the Heard Museum on Tuesday, December 11, at 1:30 p.m. To 3:00 p.m. He'll be signing copies of his books in our book store afterward. I've posted a review of the book he co-wrote with Ron Blakey, Ancient Landscapes of the Colorado Plateau, which features maps that depict what the Colorado Plateau may have looked like millions and even billions of years ago.


 I will soon be posting a review of Carving Grand Canyon: Evidence, Theories, and Mystery (2nd Edition) which casts light on past and recent arguments about when the Grand Canyon began to form.


 And I look forward to diving into Sedona Through Time, which delves into the formation of one of the most beautiful places on Earth: Oak Creek Canyon.


We have all three titles available at the Heard Museum Book Store, and Mr. Ranney will be signing there after his lecture. Don't miss it!

Thursday, December 6, 2012

Those Darned Visigoths


Michael Levy's video clip on BBC didn't go quite as planned, though he did get some background music in (apparently while someone is holding forth about Visigoths). But fear not, you can see the entire clip. Just follow the link Michael sent along.  Here's what Michael has to say about the experience:


Thanks for the moral support - attempting to recreate the music of the ancient world can sometimes be a very frustrating, lonesome task! I just wish the producer had told me the facts...before I launched my mass email & website campaigns about the televised performance!

I might not have had my tantalizingly close live TV performance moment yet, but in the meantime, here is a free download link to the actual HD video file of the bonus out-take of my lyre & I from the music shoot for the BBC 4 documentary series "The Dark Ages An Age of Light" - the clip that the editor decided to leave out of the actual documentary in favour of a relatively rubbish 43 second clip of barely noticeable background music (during incessant waffling monologue about the Goths & Visigoths etc, towards the end of epsiode 2!!):

http://www.mediafire.com/?scbn6xyb5wymh5d

I will also be sending the link to everyone subscribed to my website mailing list.  If you are able to "spread the word" about this free video download link, this would be greatlly apreciated - so that some day, somehow, my retro lyre & I will transform the miserable modern world into a whole new 
dimension of meaningful mellowness...BRING IT ON!!! ;o)  

Friday, November 30, 2012

The Dark Ages: An Age Of Light


Mistake in the date of my first televised BBC performance!

[Michael Levy offers this slight correction]

Further to my last email campaigin about my first ever televised performance with my lyre on the new BBC4 series, The Dark Ages An Age of Light...

As the first episde was all about the end of the Roman Empire; after receiving a reminder email from the producer about the date of the broadcast of the first episode of the 4-part series, I had assumed that this would be the episode to feature my attempt to recreate the lost music of ancient Rome - after sending out email campaigns to everyone on my mailing lists, over 1000 friends on Facebook (& every family member I could conceive of!), I did not appear in the first episode!!!

I now have the correct details of my first ever live televised BBC performance, direct from the producer herself - my lyre & I will be appearing in Episode 2 of "The Dark Ages An Age of Light" - first broadcast on Tuesday 4th December, 9pm GMT on BBC 4 & a few days later, all around the world on BBC iPlayer.

Just to confirm, direct from the producer, I will be appearing in episode 2 of  "The Dark Ages An Age of Light", entitled "What the Barbarians Did for Us":

http://www.bbc.co.uk/programmes/b01p65b9

Here is a link to one of the outtakes of the film shoot:

http://www.youtube.com/watch?v=oa4BprGK9ck

They probably won't be using this out take in the series (there is a bit of aircraft noise towards the end of the video, which can be deteced if you listen with headphones!)

NB! More news - tracks from my albums "King David's Lyre; Eches of Ancient Israel", "Lyre of the Levites" & "The Ancient Biblical Lyre" are to feature in the iTunes Podcast show "The Podcast History of Our World" by Rob Monaco within the next few weeks! The free podcast series to use my music, will feature new episodes detailing the history of the
Hebrews/Israelites.

https://itunes.apple.com/us/podcast/podcast-history-our-world/id558333993

Thank you for your patience, everyone - the best things in life are worth waiting for...


Thursday, November 15, 2012

Michael Levy Strikes Again!



My last several posts have been about Michael Levy, because many exciting things seems to be happening for him at once. He is a master of the Lyre, with an emphasis on ancient music. My first introduction to this sort of music was the beautiful album, Harps Of The Ancient Temples, and I remain fascinated with it. So here's another happy announcement from Michael. Check out his website! Buy his music! Wallow in wonderfulness!



My First Televised, Live Performance on BBC4!
 Hi Eveyone! I am pleased to announce, that the first episode of Waldemar Januszczak's epic 4-part documentary series, "The Dark Ages An Age of Light"(which features my LIVE, TELEVISED, LYRE MUSIC, in my attempt to evoke the lost music of ancient Rome!) will be broadcast on BBC4 on Tuesday 27th of November at 9pm.
The remaining 3 episodes will follow every Tuesday until the 18th of December - there may also be a bit of my lyre music featured as background music during the series, which I submitted to the producer!
A week after the broadcasts here in the UK, the series can also be viewed all around the world on BBC iPlayer
Below is some unique bonus footage, kindly provided to me by the editor of the series of one of my performances, in which I attempt to evoke the sound of the lost music of ancient Rome:
The track I am playing in the video is "Ancient Visions" from my recently released album "Ancient Vibrations" - filmed here, in the incredibly evocative replica Iron Age Earth House, at the Cranborne Ancient Technology Centre in Dorset, UK.
 I may have finally found some more much needed fame this year, in my efforts to recreate the music of the ancient world...let's hope my television debut will hopefully, someday, lead to the fortune! I thankfully feel I have come a long way, since my voyage in "Musical Time Travel" began, with my first crudely recorded "antique webcam" recordings on my Youtube Channel, back in August 2006!
Kind Regards,
Michael 

Friday, November 9, 2012

More Breaking News For Michael Levy



More breaking news - I have my first televised performance coming up on
BBC4 on 27th November at 9pm (GMT) for a new documentary "The Dark Ages :
An Age of Light"! The series is also available to view, anywhere in the
world on BBC iPlayer. Here is the link to my bulletin with all the
details:

http://www.ancientlyre.com/news.html

The editor of the series kindly provided me with some unique video outtake
footage of one of my performances...filmed in the amaing replica Iron Age
"Earth House" at the Cranborne Ancient Technology Centre:

http://www.youtube.com/watch?v=oa4BprGK9ck

I have my first ever radio interview coming up soon, for a local station
in Germany - I will let you know the link to hear the broadcast once I
have it!

Wednesday, November 7, 2012

A Well Tuned Lyre


Hi Everyone!

I am pleased to announce the release of my new album, "A Well Tuned Lyre - The Just Intonation of Antiquity" on iTunes & Amazon:
This album features new compositions for solo lyre, a heterophonic development of my earlier composition, "Apollo Lyre Lyre" & my new arrangements  of 5 examples of the actual surviving music of ancient Greece, with my lyre tuned to the beautifully pure just intonation of antiquity...
To download a free PDF Booklet of the detailed album notes, please click on the link here
Please "spread the word"!
Kind Regards,
Michael Levy

Michael Levy Will Be Featured On BBC 4


My Lyre Music To Be Featured on BBC Radio 4!

I am pleased to announce that my music is to feature on BBC Radio 4!

My arrangements for Biblical lyre, of the Klezmer melodies "Sherele" & "Ale Brider" from my album "Lyre of the Levites", are to be used in a ten-part "Book at Bedtime" series – THE LIARS’ GOSPEL by Naomi Adlerman - set in Roman-occupied Judea. "Sherele" will be used at the beginning of each show & "Ale Brider" at the end...

The first of the 10-part BBC Radio 4 "Book at Bedtime" series to feature the music from my album "Lyre of the Levites", will be first broadcast on 12th November at 22.45. The series can later be heard anywhere in the world, a week after the radio broadcasts on BBC iPlayer!

The full details about his series can be seen in the link to the BBC Radio website here


Please "spread the word"!

Kind Regards,

Michael Levy

Thursday, November 1, 2012

Paleogeographic Maps Are Fabulous



Think of the nerdiest comic book fan drooling over his favorite graphic novel - that's how I look when I have this book in my hands. As a geology student who lives in Arizona, I have good reason to be such a geek. Every time I visit the Colorado Plateau, I have a thousand questions about how the strata formed. This book answers most of those questions, and illustrates those answers beautifully with diagrams, cross-section charts, photographs, and "paleogeographic maps." Those maps allow the reader to see what the area may have looked like in the past, from the last part of the Precambrian Era, 1.7 billion years ago, through the Mesozoic with its dinosaurs, to the the Cenozoic and our present epoch. If you've ever tried to visualize the supercontinents, or what the Four Corners area may have looked like when it was turned on its side and hugging the equator, the paleogeographic maps are hugely helpful.

Readers who are more interested in archaeology will gain some perspective as to why the ruins in the Southwest are unique - we've got the perfect strata for canyons, creeks, and cliff dwellings. And anyone who would like more background on the geology of their favorite National Park on the Colorado Plateau will find this book handy. As for me, I'm a happy geek pouring over the details of how each layer was formed and where it's exposed in this landscape I love so much. I will refer to this book again again, until it falls apart and I have to get another one. It's money well spent.

Wednesday, October 10, 2012

The View From The Dumpster May Be the Clearest


My husband and I were watching one of our favorite movies the other night, Rear Window, when one of the characters made a really interesting remark. She was Stella, the traveling nurse who pays regular therapeutic visits to “Jeff” Jeffries for his broken leg. She told him that she had predicted the stock market crash of 1929, and that it was easy to do so. But not because she was an economic wiz. One of the Vice Presidents of GM was a patient of hers, and he was having kidney trouble. “When General Motors has to go to the bathroom 10 times a day,” she said, “the whole country's ready to let go.”

Her remark made me remember my experiences working for Borders Books & Music, at a superstore in Phoenix. No one was running to the bathroom 10 times a day (okay – sometimes I was), but something else really revealing was going on. I did a lot of work in the stock room, receiving, sorting, and stickering product to be shelved. I also helped to throw away our gigantic pile of trash every day. Eventually I realized that more paper was going into that dumpster than was going out the front door as purchased books.


This was mind blowing. I tried to imagine businesses all over the country, throwing away all that stuff. I think if all of us could really see how much of it there is on a daily basis, we would decide something had to be done about it. Why? Because that's energy we're throwing away. That's cellulose, which could be converted back into fuel, or fertilizer, or heat, and we're paying people to ship it around the country and then throw it in dumpsters. In our case, it was tons of cardboard: boxes and display materials. We re-used a small portion of those boxes to ship returns to our distributor (more about that later), but most of them went straight into the garbage. One of our line employees tried to suggest that we could get paid for the cardboard by a recycler who specialized in pick-ups from businesses. Our District Manager dismissed his suggestion, and when he went over her head to suggest it to the Regional Manager, he was warned that if he did that again he'd be fired. Yes, it's not considered kosher to go over the head of a superior. But our company used to have a system in place where line employees could make suggestions to the Brass upstairs – but they never accepted any of those suggestions, and eventually that system went away.

Eventually our company did, too.


Before the crash, I watched an interesting progression take place. In the early, halcyon days we got gigantic shipments of books, magazines, movies, and music. We sold a lot of that stuff, but so much of it was coming in, a lot of it never made it to the shelves. We didn't have an efficient system for getting those books and CDs on carts and then on the floor (let alone in the proper alphabetical order in the right section). So when I trained as a sales clerk, the rule was that if a customer came in looking for an item, there were seven places you had to check before giving up and admitting defeat (Can I order that for you, Ma'am?) – the sorting bins were one of those places.

Returns were also a challenge – we had a list of items we were supposed to return every month. When we looked for that stuff, we often found it in those bins. In the beginning, it was stuff that didn't sell very well (sometimes because it never made it to the floor) and we returned it so we could get stuff that did sell well. By the end, we were using those returns to finance our new stock purchases (instead of profit from sales). We would return stuff one month, and order the same stuff for the next. It was beyond bizarre.


What it amounts to is that we used to sell more paper than we threw away. We also used to sell more paper than what we shipped back to the distributor. After 9/11/2001, the trend slowed, and then reversed. But lest you think I'm blaming terrorists for the demise of Borders, let me point out one other ugly trend, the one driven by customers: returns at the register.

In an ideal situation, customer returns are rare. You sell a good product, they find it useful, they keep it. When I first began to work at Borders, the return rate at the register was actually kind of high already. A lot of it was driven by fraud (people would pull items off the shelf and claim they were returning them so they could use the credit to buy other items). Our return policy was ridiculously lenient, and it didn't take long for termites to settle in. But they weren't the only culprits, and in the end they weren't even the majority of abusers. The majority were people engaged in what I call Theft Of Services. These were folks who bought books, read them, then returned them when they were finished. These folks thought nothing was wrong with that, because the store could sell the book, so where was the harm? The harm is that they returned the physical book, but they stole the content. When the product is a book, the physical copy is not the full extent of the product, it's just the delivery system. The content is really the product. That's why people can sell ebooks.


So that's one of the major reasons that the ratio between the paper going out the door as sold product and the paper being shipped back or tossed into the dumpster got out of whack; paper started to come back to us from another direction. Eventually, the number of people coming to the register with returns went from 1 in 10 people to about 5 in 10.

By that time, the economy had really tanked. A lot of folks were returning those books because they couldn't pay their bills. But did they do the honest thing and simply go to the library? Nope. And because they didn't go to the library, they caused initial sales at our stores to seem higher than they really were. Executives at our company focused on those sales figures and mostly ignored return rates.


These same executives stepped up their merchandising campaigns. They paid Robert Sabuda, the wonderful designer of pop-up books, to design pop-up style Christmas decorations for all the stores, paid to have them constructed and shipped to the stores – then ordered us to throw them all in the trash once the season was over. Chastened by criticism from investors over this fiasco, they responded by paying one of their colleagues in their own headquarters to design the decorations for next year. His designs were so creepy, we were actually grateful to throw them in the dumpsters after Christmas.

You might think some of that waste is necessary – after all, sometimes you have to spend money to make money. That's what merchandising is, and in stores you see it manifested as signs advertising the products. Every month they sent us big packages of signage to put up in the store. And it seemed like just about every other month they e-mailed the managers and told them to throw out all that signage instead of putting it up, because it was the wrong color. That was about $60,000 that went into the trash for no good reason. They could have just mailed us the money and told us to throw it away.


So to paraphrase Stella, if more paper is going into the dumpsters than is being sold to customers, something's wrong. Most businesses manage by numbers these days, but those numbers can be interpreted different ways. They can be massaged. Our financial meltdowns in 1929 and 2008 prove that. So if you're thinking of investing in a company that deals in physical products, you may want to check their dumpsters. They may tell a tale that will make you change your mind.

The nifty illustrations for this post were done by my husband, artist/writer Ernest Hogan.

Monday, October 1, 2012

The Great Wickenburg Escape



When Ernie and I don't get to go out and hike on a regular basis, we get kind of peaked. There is a world of wonder out there, and we're stuck inside with our eyeballs glued to computer screens, typing our little hearts out and staring at facebook. In the best of all possible worlds, this would not be the case. We would be traveling around the Southwest, taking pictures, shooting amateur videos, and writing about our travels. We would be living inside an Airstream trailer and posting regular reports on a blog about Weird and Wonderful Travels On The Cheap. Some day, maybe this will come true. But right now, it's all about the day job and the bills. So we try to take day trips.


Ernie posted a report about our most recent trip to Wickenburg, The Hassayampa River Preserve, and the Vulture Mountains. He summed up the trip pretty well, so I will only add some photos with a bit of commentary.


The visitor's center for Hassayampa River Preserve is a charming, refurbished historic building that was a ranch and stage-coach stop back in the day. Its courtyard was swarming with butterflies and hummingbirds.


The caterpillar-sized thingees in this web were wriggling, ever so slowly.


One of these days I'll create a site called Em's Happy Trails, and this photo will be on it.


The Hassayampa is an underground river – much of the time the water stays underground. But in some places, it bubbles to the surface, and in the preserve it forms a large pond (much loved by frogs, birds, and bugs).


These are raccoon prints.


These are prints from the ring-tailed cat.


Datura has a seriously cool seed pod.


This wonderful spider actually constructed a pot-shaped house for herself, then wove her web outward from the entrance. She let us know that the only sort of visitors she likes are the edible kind.


This is one of the few places in the basin-and-range provence of Arizona where you will find a tree with fungus.


Remember those recent pictures of Mars that proved water activity? This is another example of that sort of -well, sorting. Rivers move rocks and silt, and sort them by size. Fast-running water can move larger stones; silt will be the last thing to settle out as the current slows. A deposit of rocks that are more rounded and are about the same size traveled a long distance from their source. Rocks that have sharper edges and are a variety of sizes are still fairly close to their source.


It took me three tries to get this shot of a vermilion flycatcher – a first for me.


I've always wanted one of these Ocotillo fences.


Look, we found Mecca! That's our truck parked out front.


When we saw this guy from behind, I thought he was homeless.


A Jack '0' Lantern saguaro near Vulture Mountains.


This deposit of volcanic stuff is decaying into Tahiti beach sand.


Ocotillos are indicator plants -- evidence of underground water.  They also like limestone (maybe because limestone tends to have damp, underground caves eaten into it).


This guy lost most of his arms. He's got serious gnarlitude.


These butterflies were imitating flowers.

By the way, you may be happy to know that apparently Doctor and Mrs. Doom have adopted a stretch of Highway 60.  Just look for the sign as you drive along.

It was a fabulous trip, but it made us long for more. So watch this space . . .