Fascinating courtly intrigue and bloody power games set on a generation ship full of secrets―Medusa Uploaded is an imaginative, intense mystery about family dramas and ancient technologies whose influence reverberates across the stars. Disturbing, exciting, and frankly kind of mind-blowing.” ―Annalee Newitz, author of Autonomous

Sunday, April 6, 2014

Surfing For Musical History

Michael Levy proves it's possible to find gold online if the right pilgrim looking for it. Follow the links below!

New Archaeological Discoveries - with my Laptop!

Never under estimate the power of Google search - I have recently found the answers to 2 intriguing questions regarding the lyres of antiquity...right here, on my laptop!

For years, I had assumed this vertical ridge must have been some sort of strap to hold the lyre - until I stumbled into this amazing Vimeo video by author and musicologist, Michalis P. Georgiou. It explains some of the obvious differences between the lyre we are familiar with, and the kithara which has a number of special characteristics unique to the instrument. During the course of these explanations, it is mentioned that the ancient Greek Kithara also had a vertical ridge down the back - this was to represent the shape of the spine of a tortoise, as seen in the more archaic ancient Greek "Lyra" - the lyre made with a skin stretched over tortoise shell resonator ...the mystery of the ridge seen down the back of the highly Hellanised evolution of the later versions of the Biblical Kinnor, (which in the 1st century, was almost identical to the ancient Greek Kithara), was finally solved!

The second major discovery I have made on Google, was an ancient description of an actual lyre playing technique which I had previously inferred from illustrations of ancient lyre players and which is featured in all of my albums - alternating between finger plucked and plectrum plucked tones. I found a description of this very same technique in some really interesting text by the ancient Roman poet, Virgil, in his epic poem, "The Aeneid - Book VI, line 645 : 

"...There Orpheus too, the long-robed priest of Thrace, accompanies their voices with the seven-note scale, playing now with fingers, now with the ivory quill" [nec non Threicius longa cum ueste sacerdos obloquitur numeris septem discrimina uocum,iamque eadem digitis, iam pectine pulsat eburno] ...It is amazing what you can find online these days!

And here's a link to his new blog about his findings:

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